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dc.contributor.authorPlatz, Bill
dc.contributor.authorO'Dempsey, Kellie
dc.date.accessioned2019-04-09T23:22:31Z
dc.date.available2019-04-09T23:22:31Z
dc.date.issued2016
dc.identifier.issn2057-0384en_US
dc.identifier.doi10.1386/drtp.1.2.253_1en_US
dc.identifier.urihttp://hdl.handle.net/10072/100541
dc.description.abstractAs drawing researchers and practitioners doggedly pursue academic conferences and symposia dedicated to their discipline, it has become increasingly necessary to question the forms, structures and relevance of the academic conference to drawing research. One of the strengths of arts-based research is its incongruity with conventional systems and protocols in university culture. A lack of accordance yields forms of knowledge and reforms of codes necessary to a progressive position. In 2015, a biennial drawing research symposium was inaugurated in Brisbane, Australia titled Drawing International Brisbane (DIB). The event sought to generate a model for the academic symposium in which visual practitioners, theorists, historians, curators, students and administrators could coalesce in a productive and vigorous programme. Combining conventional academic papers, plenary sessions, exhibitions, artist’s presentations and workshops, DIB produced friction, synthesis and multiplication from components that did not radically depart from established norms, but were redeployed in a motivated programme to reinvigorate the academic symposium as a meaningful environment for the production and dissemination of knowledge. An account of one of the DIB2015 Conference streams evidences the potency of this method.en_US
dc.description.peerreviewedYesen_US
dc.languageEnglishen_US
dc.publisherIntellecten_US
dc.relation.ispartofpagefrom253en_US
dc.relation.ispartofpageto264en_US
dc.relation.ispartofissue2en_US
dc.relation.ispartofjournalDrawing: Research, Theory, Practiceen_US
dc.relation.ispartofvolume1en_US
dc.subject.fieldofresearchFine Arts (incl. Sculpture and Painting)en_US
dc.subject.fieldofresearchcode190502en_US
dc.subject.keywordsAustralian drawingen_US
dc.subject.keywordsDrawing conferenceen_US
dc.subject.keywordsDrawing exhibitionsen_US
dc.subject.keywordsDrawing researchen_US
dc.subject.keywordsDrawing symposiumen_US
dc.subject.keywordsPerformance drawingen_US
dc.titleA gathering dilemma: The Drawing International Brisbane Symposiumen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.facultyArts, Education & Law Group, Queensland College of Arten_US
gro.rights.copyright© 2016. Drawing: Research, Theory, Practice. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher, Intellect Ltd, 2016. Please refer to the journal's website for access to the definitive, published version.en_US
gro.hasfulltextFull Text
gro.griffith.authorPlatz, Bill M.
gro.griffith.authorO'Dempsey, Kellie A.


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