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dc.contributor.authorBrown, AR
dc.date.accessioned2017-11-23T05:55:33Z
dc.date.available2017-11-23T05:55:33Z
dc.date.issued2016
dc.identifier.issn1479-4713
dc.identifier.doi10.1080/14794713.2016.1227595
dc.identifier.urihttp://hdl.handle.net/10072/100934
dc.description.abstractWhen used for live coding, a computer is more than an instrument; it becomes a musical partner. Coding enables automated behaviours that take on a life of their own. In this article, I take live coding as a starting point from which to explore human–machine relations in creative practices. After a brief scan of music technology history, I describe some of my contemporary algorithmic music-making practices, including live coding, and explore differences between them with particular attention to musician–machine relationships. From a phenomenological perspective, similarities between these practices are the basis for a discussion of ontological conditions that surround live coding and other generative music practices.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherElsevier
dc.relation.ispartofpagefrom179
dc.relation.ispartofpageto186
dc.relation.ispartofissue2
dc.relation.ispartofjournalInternational Journal of Performance Arts and Digital Media
dc.relation.ispartofvolume12
dc.subject.fieldofresearchMusicology and Ethnomusicology
dc.subject.fieldofresearchInteractive Media
dc.subject.fieldofresearchFilm, Television and Digital Media
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchcode190409
dc.subject.fieldofresearchcode190205
dc.subject.fieldofresearchcode1902
dc.subject.fieldofresearchcode1904
dc.titlePerforming with the other: The relationship of musician and machine in live coding
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, Queensland College of Art
gro.hasfulltextNo Full Text
gro.griffith.authorBrown, Andrew R.


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