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dc.contributor.authorBuckridge, Pat
dc.date.accessioned2019-12-04T05:56:31Z
dc.date.available2019-12-04T05:56:31Z
dc.date.issued1997
dc.identifier.issn0314769X
dc.identifier.doi10.1080/14443059709387340
dc.identifier.urihttp://hdl.handle.net/10072/121284
dc.description.abstractPenton was, I believe, an important catalyst for some of the modest but significant advances in Australia's social attitudes during the late thirties and early forties, and when change hit the country like a tidal wave in 1942, Penton was one of those who helped to manage and interpret it for ordinary, intelligent people, to give the inexorable rush of history some semblance of direction and coherence. These are not the sorts of achievements that lend themselves easily to memorialisation long after the fact; but they are an essential part of that only-just-recoverable past that needs to be retrieved before the traces disappear forever.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherUniversity of Queensland Press
dc.publisher.placeAustralia
dc.relation.ispartofpagefrom81
dc.relation.ispartofpageto90
dc.relation.ispartofissue43-55
dc.relation.ispartofjournalJournal of Australian Studies
dc.relation.ispartofvolume21
dc.titleAntagonism as an Art Form: Brian Penton and the Politics of Provocation
dc.typeJournal article
dc.type.descriptionC1 - Peer Reviewed (HERDC)
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciences
gro.hasfulltextNo Full Text
gro.griffith.authorBuckridge, Pat J.


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