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dc.contributor.authorNovak, James
dc.contributor.editorPaul Wright
dc.date.accessioned2018-02-26T02:08:39Z
dc.date.available2018-02-26T02:08:39Z
dc.date.issued2015
dc.identifier.urihttp://hdl.handle.net/10072/123512
dc.description.abstractThe aim of this paper is to examine the ways in which drawing in the digital age presents new methods of hybrid product creation, blurring the boundaries between the physical and digital creation of a three-dimensional design. A project called ‘MyPen’ illustrates an interactive fabrication workflow, and investigates how complex products may be created by customers with no knowledge of CAD programs, using instead their innate ability to draw simple geometry or mould a shape with their hands.
dc.description.peerreviewedYes
dc.languageEnglish
dc.publisherGriffith Centre for Creative Arts Research, QCA, Griffith University
dc.publisher.placeAustralia
dc.publisher.urihttps://www.gccar.com.au/griffith-centre-for-creative-arts-research/current/news-blog/2016/2/11/papers-from-drawing-international-brisbane-dib-2015-now-published
dc.relation.ispartofconferencenameDIB 2015
dc.relation.ispartofconferencetitleDrawing International Brisbane (DIB) Symposium 2015: Ego, Artefact, Arena
dc.relation.ispartofdatefrom2015-09-30
dc.relation.ispartofdateto2015-10-02
dc.relation.ispartoflocationBrisbane, Australia
dc.subject.fieldofresearchIndustrial Design
dc.subject.fieldofresearchcode120305
dc.titleDrawing the Pen: From Physical to Digital and Back Again
dc.typeConference output
dc.type.descriptionE1 - Conferences
dc.type.codeE - Conference Publications
gro.facultyArts, Education & Law Group, Queensland College of Art
gro.hasfulltextNo Full Text
gro.griffith.authorNovak, James I.


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    Contains papers delivered by Griffith authors at national and international conferences.

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