Using Digital Technology in a Fine Art Practice
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Author(s)
Irannejad, Sara
Griffith University Author(s)
Year published
2015
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The rapid changes in digital technology have led many
artists across all creative platforms to incorporate digital media
to their practices. In this paper, I demonstrate how fine
artists can successfully employ computer programs and digital
tools in their practices by referring to the works of Shirin
Neshat and my own studio practice. In particular, I will evaluate
and explore the efficacy of using a data projector and
its desirable visual effect outcomes in body projection
through discussing a body of my recent works made during
my candidature at Queensland College of Art in 2014. Furthermore,
this paper also highlights the ...
View more >The rapid changes in digital technology have led many artists across all creative platforms to incorporate digital media to their practices. In this paper, I demonstrate how fine artists can successfully employ computer programs and digital tools in their practices by referring to the works of Shirin Neshat and my own studio practice. In particular, I will evaluate and explore the efficacy of using a data projector and its desirable visual effect outcomes in body projection through discussing a body of my recent works made during my candidature at Queensland College of Art in 2014. Furthermore, this paper also highlights the assistance of Adobe programs in generating ideas and compositional provisions for non-digital painting purposes.
View less >
View more >The rapid changes in digital technology have led many artists across all creative platforms to incorporate digital media to their practices. In this paper, I demonstrate how fine artists can successfully employ computer programs and digital tools in their practices by referring to the works of Shirin Neshat and my own studio practice. In particular, I will evaluate and explore the efficacy of using a data projector and its desirable visual effect outcomes in body projection through discussing a body of my recent works made during my candidature at Queensland College of Art in 2014. Furthermore, this paper also highlights the assistance of Adobe programs in generating ideas and compositional provisions for non-digital painting purposes.
View less >
Conference Title
Conference Proceedings of CreateWorld 2015: A Digital Arts Conference
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Copyright Statement
© 2015 Apple University Consortium (AUC). The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the conference's website for access to the definitive, published version.
Subject
Communication Technology and Digital Media Studies