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dc.contributor.authorBeattie, Debra
dc.contributor.authorMaddock, Daniel
dc.contributor.editorSusan Kerrigan, Kath Dooley, Bettina Frankham
dc.date.accessioned2018-02-20T02:54:04Z
dc.date.available2018-02-20T02:54:04Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10072/124144
dc.description.abstractThe close relationship between film form (the style of a film and how it is made) and film content (the script or narrative) has been long discussed in reference to truth and authenticity, especially in documentary film production. The argument Edgar Morin presents suggests documentary modes such as cinéma vérité (literally ‘truth cinema’ in French) are perhaps idyllic constructs for a medium in which the very nature of itself is a lie; a presentation of still pictures as believable motion. The Méliès brothers present a divergent view from early cinema. One creating the earliest special-effects films, the other seeking to represent the truth in his documentaries made throughout the South Pacific. This paper discusses the confluence of documentary, recreation and modern technologies in filmmaking, such as computer-generated imagery, in order to seek authenticity for the production of The Art Lovers (Debra Beattie, in production 2016/17) a docudrama concerning the life of sculptor Daphne Mayo. A conceptual framework is explored, drawing on historical precedent and most recent industry practice in order to discover a methodological approach to the modern historical documentary.
dc.description.peerreviewedYes
dc.languageEnglish
dc.publisherAustralian Screen Production Education & Research Association (ASPERA)
dc.publisher.placeAustralia
dc.publisher.urihttp://aspera.asn.au/?p=783
dc.relation.ispartofconferencenameASPERA 2016
dc.relation.ispartofconferencetitle13th Annual ASPERA Conference. Screen Production Research: The Big Questions
dc.relation.ispartofdatefrom2016-07-05
dc.relation.ispartofdateto2016-07-07
dc.relation.ispartoflocationCanberra, Australia
dc.subject.fieldofresearchFilm and Television
dc.subject.fieldofresearchcode190204
dc.titleVirtual historical reality: verisimilitude and the history documentary
dc.typeConference output
dc.type.descriptionE1 - Conferences
dc.type.codeE - Conference Publications
dc.description.versionVersion of Record (VoR)
gro.facultyArts, Education & Law Group, Queensland College of Art
gro.rights.copyright© 2016 ASPERA. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.hasfulltextFull Text
gro.griffith.authorBeattie, Debra C.
gro.griffith.authorMaddock, Daniel O.


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    Contains papers delivered by Griffith authors at national and international conferences.

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