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dc.contributor.authorStockwell, Stephenen_US
dc.date.accessioned2017-05-03T13:18:20Z
dc.date.available2017-05-03T13:18:20Z
dc.date.issued2006en_US
dc.date.modified2007-08-07T04:26:55Z
dc.identifier.issn14412616en_US
dc.identifier.urihttp://hdl.handle.net/10072/13708
dc.description.abstractMusical improvisation (or jam) suggested as a method of rigourous eclecticism required by the diffusion of communication theory.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherQueensland University of Technologyen_US
dc.publisher.placeBrisbaneen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofpagefrom1en_US
dc.relation.ispartofpageto4en_US
dc.relation.ispartofissue6en_US
dc.relation.ispartofjournalM/C Journal: A Journal of Media and Cultureen_US
dc.relation.ispartofvolume9en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchcode400104en_US
dc.titleTheory-Jamming: Uses of Eclectic Method in an Ontological Spiralen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciencesen_US
gro.date.issued2006
gro.hasfulltextNo Full Text


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