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  • An interactive user interface prototype design for enhancing on-site museum and art gallery experience through digital technology

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    LiPUB1524.pdf (914.7Kb)
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    Accepted Manuscript (AM)
    Author(s)
    Li, Richard Yu-Chang
    Liew, Alan Wee-Chung
    Griffith University Author(s)
    Liew, Alan Wee-Chung
    Year published
    2015
    Metadata
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    Abstract
    Digital curation is an emerging topic of interest in museum studies. On-site museum experience enhanced by digital technology can not only promote the social and educational roles of traditional museums in the digital era but also boost the value of cultural heritage. Our objective is to design an on-site personalized museum recommendation system to extend the connection between visitors and collections, focusing on the user experience. The prototype is made up of two different functional components, a mobile user interface (UI) at the front-end for visitors to interact with the collections during their visit, and an object ...
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    Digital curation is an emerging topic of interest in museum studies. On-site museum experience enhanced by digital technology can not only promote the social and educational roles of traditional museums in the digital era but also boost the value of cultural heritage. Our objective is to design an on-site personalized museum recommendation system to extend the connection between visitors and collections, focusing on the user experience. The prototype is made up of two different functional components, a mobile user interface (UI) at the front-end for visitors to interact with the collections during their visit, and an object database in the back-end where information is stored and accessed using semantic technology. In this article, we discuss the design of the UI for the collection of Australian paintings in the National Gallery of Australia, and evaluate the framework for visitor behaviour capture and analysis using the interface, thereby proposing a system for establishing a personalized tour trajectory.
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    Journal Title
    Museum Management and Curatorship
    Volume
    30
    Issue
    3
    DOI
    https://doi.org/10.1080/09647775.2015.1042509
    Copyright Statement
    © 2015 Taylor & Francis (Routledge). This is an Accepted Manuscript of an article published by Taylor & Francis in Museum Management and Curatorship on 29 Jun 2015, available online: http://www.tandfonline.com/doi/full/10.1080/09647775.2015.1042509
    Subject
    Heritage, archive and museum studies
    Heritage, archive and museum studies not elsewhere classified
    Publication URI
    http://hdl.handle.net/10072/141098
    Collection
    • Journal articles

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