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dc.contributor.authorBennett, Andy
dc.contributor.authorRogers, Ian
dc.date.accessioned2017-11-28T02:29:16Z
dc.date.available2017-11-28T02:29:16Z
dc.date.issued2016
dc.identifier.issn1206-3312
dc.identifier.doi10.1177/1206331215623217
dc.identifier.urihttp://hdl.handle.net/10072/142403
dc.description.abstractThe live music venue has long been regarded as a space of critical importance in relation to musical experience. Like music artists themselves, venues often come to embody the zeitgeist of a particular genre or era. Liverpool’s Cavern, New York’s CBGB’s, and Brisbane’s Cloudland are but three examples of an ever-growing list of live music venues (closed down, demolished, renamed) achieving iconic status due to a connection with important and galvanizing moments in music history. Significant in this are the ways in which collective memories become textured by particular venues and how memory works to forge strong collective associations between former audiences. Drawing on theoretical frameworks utilized in space and place research and memory studies, this article will investigate the significance of unofficial, unlicensed music venues and the way in which the memory of these particular sites constitute a potent form of intangible cultural heritage in contemporary society.
dc.description.peerreviewedYes
dc.languageEnglish
dc.publisherSage
dc.relation.ispartofpagefrom1
dc.relation.ispartofpageto12
dc.relation.ispartofjournalSpace and Culture
dc.subject.fieldofresearchSociology not elsewhere classified
dc.subject.fieldofresearchcode441099
dc.titleIn the Scattered Fields of Memory: Unofficial Live Music Venues, Intangible Heritage, and the Recreation of the Musical Past
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciences
gro.hasfulltextNo Full Text
gro.griffith.authorBennett, Andy A.


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