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dc.contributor.authorNowak, Raphael
dc.contributor.editorBennett, A
dc.contributor.editorRobards, B
dc.date.accessioned2018-07-20T03:24:27Z
dc.date.available2018-07-20T03:24:27Z
dc.date.issued2014
dc.identifier.isbn9781137287014
dc.identifier.doi10.1057/9781137287021_10
dc.identifier.urihttp://hdl.handle.net/10072/144982
dc.description.abstractWhen American student Shawn Fanning and his uncle John Fanning created the peer-to-peer application Napster in 1999, they probably knew little about the extent to which this innovation would change the face of music consumption on a global scale. Indeed, ever since the massive success of peer-to-peer applications that have all followed the path opened by Napster, much has been said and written about the nature of change brought by the digital age of music technologies in music consumption.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherPalgrave Macmillan
dc.publisher.placeUnited Kingdom
dc.relation.ispartofbooktitleMediated Youth Cultures: The Internet, Belonging and New Cultural Configurations
dc.relation.ispartofchapter9
dc.relation.ispartofpagefrom146
dc.relation.ispartofpageto164
dc.subject.fieldofresearchSociology not elsewhere classified
dc.subject.fieldofresearchcode160899
dc.titleUnderstanding everyday uses of music technologies in the digital age
dc.typeBook chapter
dc.type.descriptionB1 - Chapters
dc.type.codeB - Book Chapters
gro.facultyArts, Education & Law Group, Queensland Conservatorium
gro.hasfulltextNo Full Text
gro.griffith.authorNowak, Raphael


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