dc.contributor.author | Nowak, Raphael | |
dc.contributor.editor | Bennett, A | |
dc.contributor.editor | Robards, B | |
dc.date.accessioned | 2018-07-20T03:24:27Z | |
dc.date.available | 2018-07-20T03:24:27Z | |
dc.date.issued | 2014 | |
dc.identifier.isbn | 9781137287014 | |
dc.identifier.doi | 10.1057/9781137287021_10 | |
dc.identifier.uri | http://hdl.handle.net/10072/144982 | |
dc.description.abstract | When American student Shawn Fanning and his uncle John Fanning created the peer-to-peer application Napster in 1999, they probably knew little about the extent to which this innovation would change the face of music consumption on a global scale. Indeed, ever since the massive success of peer-to-peer applications that have all followed the path opened by Napster, much has been said and written about the nature of change brought by the digital age of music technologies in music consumption. | |
dc.description.peerreviewed | Yes | |
dc.language | English | |
dc.language.iso | eng | |
dc.publisher | Palgrave Macmillan | |
dc.publisher.place | United Kingdom | |
dc.relation.ispartofbooktitle | Mediated Youth Cultures: The Internet, Belonging and New Cultural Configurations | |
dc.relation.ispartofchapter | 9 | |
dc.relation.ispartofpagefrom | 146 | |
dc.relation.ispartofpageto | 164 | |
dc.subject.fieldofresearch | Sociology not elsewhere classified | |
dc.subject.fieldofresearchcode | 441099 | |
dc.title | Understanding everyday uses of music technologies in the digital age | |
dc.type | Book chapter | |
dc.type.description | B1 - Chapters | |
dc.type.code | B - Book Chapters | |
gro.faculty | Arts, Education & Law Group, Queensland Conservatorium | |
gro.hasfulltext | No Full Text | |
gro.griffith.author | Nowak, Raphael | |