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dc.contributor.authorZervos, Komninos
dc.date.accessioned2018-10-22T23:32:07Z
dc.date.available2018-10-22T23:32:07Z
dc.date.issued2000
dc.identifier.issn1327-9556
dc.identifier.urihttp://hdl.handle.net/10072/174894
dc.languageEnglish
dc.language.isoeng
dc.publisherDeakin University, Victoria-Griffith University, Gold Coast
dc.publisher.placeVict.& Gold Coast
dc.publisher.urihttp://www.textjournal.com.au/oct00/zervos.htm
dc.relation.ispartofpagefrom1
dc.relation.ispartofpageto1
dc.relation.ispartofissue2
dc.relation.ispartofjournalTEXT
dc.relation.ispartofvolume4
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchcode1904
dc.titleLines, Breaths and Words - What Defines a Poem Visually? Book Review: The Written Poem: Semiotic Conventions from Old to Modern English. Rosemary Huisman. Continuum, 1998
dc.typeReport
dc.type.descriptionU2 - Reviews/Reports
dc.type.codec3
dc.description.versionVersion of Record (VoR)
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciences
gro.rights.copyright© The Author(s) 2000. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this journal please refer to the journal’s website or contact the author(s).
gro.hasfulltextFull Text
gro.griffith.authorZervos, Komninos C.


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