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dc.contributor.authorKeane, Michael
dc.contributor.authorY.H. Fung, Anthony
dc.contributor.authorMoran, Albert
dc.date.accessioned2017-05-03T11:08:30Z
dc.date.available2017-05-03T11:08:30Z
dc.date.issued2007
dc.date.modified2008-05-02T03:40:50Z
dc.identifier.isbn9789622098213
dc.identifier.urihttp://hdl.handle.net/10072/18295
dc.description.abstractChallenging assumptions that have underpinned critiques of globalisation and combining cultural theory with media industry analysis, Keane, Fung and Moran give a groundbreaking account of the evolution of television in the post-broadcasting era, and how programming ideas are creatively redeveloped and franchised in East Asia. In this first comprehensive study of television program adaptation across cultures, the authors argue that adaptation, transfer, and recycling of content are multiplying to the point of marginalising other economic and cultural practices. They also show that significant re-modelling of local TV production practices occur when adaptation is genuinely responsive to local values. Examples of East Asian format adaptations include Survivor, Who Wants to be a Millionaire?, The Weakest Link, Coronation Street, and Idol.
dc.description.peerreviewedYes
dc.description.publicationstatusYes
dc.languageEnglish
dc.language.isoen_AU
dc.publisherHong Kong University Press
dc.publisher.placeHong Kong
dc.relation.ispartofstudentpublicationN
dc.rights.retentionY
dc.subject.fieldofresearchcode410301
dc.titleNew Television, Globalisation, and the East Asian Cultural Imagination
dc.typeBook
dc.type.descriptionA1 - Books
dc.type.codeA - Books
gro.facultyArts, Education & Law Group, Queensland College of Art
gro.date.issued2007
gro.hasfulltextNo Full Text
gro.griffith.authorMoran, Albert J.
gro.griffith.authorKeane, Michael A.


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