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dc.contributor.authorBaker, David
dc.contributor.editorPeter Tapp
dc.date.accessioned2017-05-03T11:34:37Z
dc.date.available2017-05-03T11:34:37Z
dc.date.issued2008
dc.date.modified2011-08-08T07:20:52Z
dc.identifier.issn1449857X
dc.identifier.urihttp://hdl.handle.net/10072/20875
dc.description.abstractOne of the many pleasures of watching Rear Window (Alfred Hitchcock, 1954) is that the viewer is required to continually readjust his or her sense of the relationship between what gendered characters say, what those characters see and how they react to what they've just seen. In this discussion I will consider this correlation between saying, seeing and reacting, focusing specifically on the way in which the relationship between Jeff (James Stewart) and Lisa (Grace Kelly) develops - through a conflict between a detective narrative and a romance narrative - as a kind of battle of the sexes which reaches, if not resolution, at least a certain stability.
dc.description.publicationstatusYes
dc.format.extent478797 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglish
dc.language.isoeng
dc.publisherATOM
dc.publisher.placeSt Kilda, Melbourne
dc.publisher.urihttps://www.metromagazine.com.au/screen_ed/issues.asp
dc.relation.ispartofstudentpublicationN
dc.relation.ispartofpagefrom125
dc.relation.ispartofpageto130
dc.relation.ispartofissueSPRING, 2008
dc.relation.ispartofjournalScreen Education
dc.relation.ispartofvolume51
dc.rights.retentionY
dc.subject.fieldofresearchFilm, Television and Digital Media
dc.subject.fieldofresearchcode1902
dc.titleSeeing is Believing: Detective and Romance in Rear Window
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dc.type.codeC - Journal Articles
gro.rights.copyright© 2008 ATOM. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.date.issued2008
gro.hasfulltextFull Text
gro.griffith.authorBaker, David J.


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