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dc.contributor.authorTacon, Paul
dc.contributor.editorPaul Devereux, Neil Mortimer, John Baker & Michael Winkelman
dc.date.accessioned2017-05-03T15:03:18Z
dc.date.available2017-05-03T15:03:18Z
dc.date.issued2008
dc.date.modified2011-11-01T06:56:51Z
dc.identifier.issn1751696X
dc.identifier.urihttp://hdl.handle.net/10072/21287
dc.description.publicationstatusYes
dc.format.extent46743 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglish
dc.language.isoeng
dc.publisherBerg
dc.publisher.placeOxford
dc.publisher.urihttps://www.tandfonline.com/toc/rtam20/1/1?nav=tocList
dc.relation.ispartofstudentpublicationN
dc.relation.ispartofpagefrom105
dc.relation.ispartofpageto107
dc.relation.ispartofissue01
dc.relation.ispartofjournalTime and Mind
dc.relation.ispartofvolume01
dc.rights.retentionY
dc.subject.fieldofresearchCultural Studies
dc.subject.fieldofresearchArchaeology
dc.subject.fieldofresearchHistorical Studies
dc.subject.fieldofresearchcode2002
dc.subject.fieldofresearchcode2101
dc.subject.fieldofresearchcode2103
dc.titleReview of Mike Pearson's "In comes I": performance, memory and landscape'
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciences
gro.rights.copyright© 2008 Berg Publishers. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.date.issued2008
gro.hasfulltextFull Text
gro.griffith.authorTacon, Paul S.


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