Lifelong Learning in Music Education: A Brief Examination

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Author(s)
Harrison, Scott
Griffith University Author(s)
Year published
2004
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Music education has, for many years, championed methods that reinforce traditional modes of transmission, namely individual tuition, ensemble experiences and classroom teaching. This paper re-examines the notion of lifelong learning in music education. In so doing, it examines formal and informal modes of transmission in music education with specific examples from conservatoriums, education faculties and private providers. It takes account opportunities available for music teaching and learning in preschool, school-age education, tertiary, professional development and other forms of continuous education. Examples of best ...
View more >Music education has, for many years, championed methods that reinforce traditional modes of transmission, namely individual tuition, ensemble experiences and classroom teaching. This paper re-examines the notion of lifelong learning in music education. In so doing, it examines formal and informal modes of transmission in music education with specific examples from conservatoriums, education faculties and private providers. It takes account opportunities available for music teaching and learning in preschool, school-age education, tertiary, professional development and other forms of continuous education. Examples of best practice are included, along with suggestions for improvements in the way in which music education is approached. In detailed terms, the paper traces options for music education from birth into later life describing new ways of addressing the notion of flexible learning. Furthermore, means of engaging the disengaged are pursued, particularly with a view to finding equitable ways of involving marginal members of the community.
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View more >Music education has, for many years, championed methods that reinforce traditional modes of transmission, namely individual tuition, ensemble experiences and classroom teaching. This paper re-examines the notion of lifelong learning in music education. In so doing, it examines formal and informal modes of transmission in music education with specific examples from conservatoriums, education faculties and private providers. It takes account opportunities available for music teaching and learning in preschool, school-age education, tertiary, professional development and other forms of continuous education. Examples of best practice are included, along with suggestions for improvements in the way in which music education is approached. In detailed terms, the paper traces options for music education from birth into later life describing new ways of addressing the notion of flexible learning. Furthermore, means of engaging the disengaged are pursued, particularly with a view to finding equitable ways of involving marginal members of the community.
View less >
Conference Title
Doing, Thinking, Activity, Learning
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© 2004 Australian Academic Press. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Use hypertext link for access to the publishers website.