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dc.contributor.authorBartleet, Brydie-Leighen_US
dc.contributor.editorCally Brennanen_US
dc.date.accessioned2017-04-24T11:15:48Z
dc.date.available2017-04-24T11:15:48Z
dc.date.issued2002en_US
dc.date.modified2009-07-24T06:34:57Z
dc.identifier.issn10384006en_US
dc.identifier.urihttp://hdl.handle.net/10072/24821
dc.description.abstractMost of the times women are seen differently in how they look and act, and these perceptions of difference are inevitably used by the profession of a conductor as a means to justify discrimination against them. In the profession of conducting, a female must make the familial sacrifices needed to pursue this profession, as in the case of Marin Alsop and Simone Young who have proved that they can negotiate their way through a male dominated space and find their own space.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherFaculty of Music, University of Melbourneen_US
dc.publisher.placeVictoria, Australiaen_US
dc.publisher.urihttp://www.music.unimelb.edu.au/research/context/index.htmlen_AU
dc.relation.ispartofpagefrom49en_US
dc.relation.ispartofpageto57en_US
dc.relation.ispartofissueAutumnen_US
dc.relation.ispartofjournalContext: A Journal of Music Researchen_US
dc.relation.ispartofvolume23en_US
dc.subject.fieldofresearchcode410101en_US
dc.titleRe-embodying the 'Gendered Podium'en_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.date.issued2002
gro.hasfulltextNo Full Text


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