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dc.contributor.authorFerrero-Regis, Tiziana
dc.date.accessioned2017-05-03T13:04:22Z
dc.date.available2017-05-03T13:04:22Z
dc.date.issued2003
dc.date.modified2009-11-23T06:12:03Z
dc.identifier.issn14431629
dc.identifier.urihttp://hdl.handle.net/10072/26781
dc.description.abstractTHE AIM OF THIS ESSAY is threefold. It is, firstly, to situate Life is Beautiful (Roberto Benigni, 1997) within recent Italian debates on the Fascist period and approaches to history; secondly, to address the question of an Italian Holocaust; and thirdly, to explore the connections between the film and the work of one of the most well-known witnesses and survivors of the Holocaust, the Italian writer Primo Levi. The discussion will also situate the film in relation to existing traditions of ways of representing the Holocaust, in both Italian and international film-making.
dc.description.peerreviewedYes
dc.description.publicationstatusYes
dc.languageEnglish
dc.language.isoeng
dc.publisherAustralian Teachers of Media
dc.publisher.placeMelbourne
dc.publisher.urihttp://www.metromagazine.com.au/
dc.relation.ispartofpagefrom105
dc.relation.ispartofpageto110
dc.relation.ispartofeditionSummer
dc.relation.ispartofissue33
dc.relation.ispartofjournalAustralian Screen Education
dc.relation.ispartofvolume2003
dc.subject.fieldofresearchFilm, Television and Digital Media
dc.subject.fieldofresearchcode1902
dc.titleRethinking Life is Beautiful
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.date.issued2003
gro.hasfulltextNo Full Text
gro.griffith.authorFerrero-Regis, Tiziana


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