• myGriffith
    • Staff portal
    • Contact Us⌄
      • Future student enquiries 1800 677 728
      • Current student enquiries 1800 154 055
      • International enquiries +61 7 3735 6425
      • General enquiries 07 3735 7111
      • Online enquiries
      • Staff phonebook
    View Item 
    •   Home
    • Griffith Research Online
    • Conference outputs
    • View Item
    • Home
    • Griffith Research Online
    • Conference outputs
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

  • All of Griffith Research Online
    • Communities & Collections
    • Authors
    • By Issue Date
    • Titles
  • This Collection
    • Authors
    • By Issue Date
    • Titles
  • Statistics

  • Most Popular Items
  • Statistics by Country
  • Most Popular Authors
  • Support

  • Contact us
  • FAQs
  • Admin login

  • Login
  • Music, Recording, and the Art of Interpretation

    Thumbnail
    View/Open
    52637_1.pdf (441.4Kb)
    Author(s)
    Draper, Paul
    Emmerson, Stephen
    Griffith University Author(s)
    Emmerson, Stephen B.
    Draper, Paul A.
    Year published
    2009
    Metadata
    Show full item record
    Abstract
    For millennia, music has been a performance-based artform open to continuous variation and reinterpretation. More recently however, industrialisation has allowed for the mass-production of sound recordings, in turn bringing conjecture about the changed nature of music reception in society. This article reflects on related practice-based work by its authors and examines aspects of music production and representation. Technically, this is approached through a range of multi-track recording and sound treatment processes. Artistically, the sound productions highlight aspects of musical compositions, their scores and performances ...
    View more >
    For millennia, music has been a performance-based artform open to continuous variation and reinterpretation. More recently however, industrialisation has allowed for the mass-production of sound recordings, in turn bringing conjecture about the changed nature of music reception in society. This article reflects on related practice-based work by its authors and examines aspects of music production and representation. Technically, this is approached through a range of multi-track recording and sound treatment processes. Artistically, the sound productions highlight aspects of musical compositions, their scores and performances in order to explicitly communicate emotional interpretation and ongoing research into artistic practice.
    View less >
    Conference Title
    CreateWorld 2008: The Art of Serious Play. The Serious Art of Play
    Publisher URI
    http://www29.griffith.edu.au/imersd/draper/draper_publications.html
    Copyright Statement
    © The Author(s) 2009. The attached file is posted here with permission of the copyright owners for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the authors.
    Publication URI
    http://hdl.handle.net/10072/29122
    Collection
    • Conference outputs

    Footer

    Disclaimer

    • Privacy policy
    • Copyright matters
    • CRICOS Provider - 00233E
    • TEQSA: PRV12076

    Tagline

    • Gold Coast
    • Logan
    • Brisbane - Queensland, Australia
    First Peoples of Australia
    • Aboriginal
    • Torres Strait Islander