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dc.contributor.authorMay, Anthonyen_US
dc.date.accessioned2017-05-03T15:51:44Z
dc.date.available2017-05-03T15:51:44Z
dc.date.issued2009en_US
dc.date.modified2010-06-07T08:19:27Z
dc.identifier.issn1030-4312en_US
dc.identifier.urihttp://hdl.handle.net/10072/30580
dc.description.abstractThis article looks at the circumstances of adaptation in the pop music of the late 1940s and the early 1950s. Contrary to popular accounts that would see adaptation as evidence of an exploitative relationship based around race, the argument shows how adaptation functioned to generate and maintain growth in a three-tiered industry that was looking for new business models to adapt to the post-war commercial and social environments. Without denying the exploitative nature of adaptation, the article recognizes its value and strategic utility in the process of growth during a boom period that allowed unprecedented growth across all sectors of the industry, both mainstream and marginal.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherRoutledgeen_US
dc.publisher.placeAustraliaen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofpagefrom127en_US
dc.relation.ispartofpageto136en_US
dc.relation.ispartofissue2en_US
dc.relation.ispartofjournalContinuumen_US
dc.relation.ispartofvolume23en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchCultural Studies not elsewhere classifieden_US
dc.subject.fieldofresearchcode200299en_US
dc.title‘Dancing with my darlin’’: Patti Page and adaptation in pop musicen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciencesen_US
gro.date.issued2009
gro.hasfulltextNo Full Text


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