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  • Foreign Objects and the Art of Interpretation

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    58001_1.pdf (1.132Mb)
    Author(s)
    Draper, Paul
    Griffith University Author(s)
    Draper, Paul A.
    Year published
    2009
    Metadata
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    Abstract
    This paper reflects upon the practice-based research of its author and collaborators by examining aspects of musical performance and representation in two recording projects. The first of these identifies a research problem in the recorded communication of an 'acousmatic' performance piece. The second project examines the recording of classical piano repertoire in alternate interpretations: one as 'authentic', the other as a highly manipulated work which progresses the investigation of the representation problem through multiple recording techniques and 'DSP orchestration' in post-production. The paper concludes that this ...
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    This paper reflects upon the practice-based research of its author and collaborators by examining aspects of musical performance and representation in two recording projects. The first of these identifies a research problem in the recorded communication of an 'acousmatic' performance piece. The second project examines the recording of classical piano repertoire in alternate interpretations: one as 'authentic', the other as a highly manipulated work which progresses the investigation of the representation problem through multiple recording techniques and 'DSP orchestration' in post-production. The paper concludes that this then offers a promising route for audiences to experience and reinterpret the music by interrupting their spontaneous assumptions about the recordings.
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    Conference Title
    Proceedings of the 2nd International Conference on Music Communication Science (ICoMCS)
    Publisher URI
    https://www.westernsydney.edu.au/marcs
    Copyright Statement
    © The Author(s) 2009. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the author.
    Subject
    Music Performance
    Publication URI
    http://hdl.handle.net/10072/30770
    Collection
    • Conference outputs

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