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dc.contributor.convenorA/Prof Kate Stevens (UWS)en_AU
dc.contributor.authorDraper, Paulen_US
dc.contributor.editorCatherine Stevens,Emery Schubert,Bridget Kruithof,Kym Buckley,Steven Fazioen_US
dc.date.accessioned2017-04-04T15:57:47Z
dc.date.available2017-04-04T15:57:47Z
dc.date.issued2009en_US
dc.date.modified2010-11-18T08:10:24Z
dc.identifier.refurihttp://marcs.uws.edu.au/links/ICoMusic09/index.htmlen_AU
dc.identifier.doihttp://marcs.uws.edu.auen_AU
dc.identifier.urihttp://hdl.handle.net/10072/30770
dc.description.abstractThis paper reflects upon the practice-based research of its author and collaborators by examining aspects of musical performance and representation in two recording projects. The first of these identifies a research problem in the recorded communication of an 'acousmatic' performance piece. The second project examines the recording of classical piano repertoire in alternate interpretations: one as 'authentic', the other as a highly manipulated work which progresses the investigation of the representation problem through multiple recording techniques and 'DSP orchestration' in post-production. The paper concludes that this then offers a promising route for audiences to experience and reinterpret the music by interrupting their spontaneous assumptions about the recordings.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent1187359 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherHCSNet, University of Western Sydneyen_US
dc.publisher.placeAustraliaen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencename2nd International Conference on Music Communication Science ICoMCS2en_US
dc.relation.ispartofconferencetitleProceedings of the 2nd International Conference on Music Communication Science (ICoMCS)en_US
dc.relation.ispartofdatefrom2009-12-03en_US
dc.relation.ispartofdateto2009-12-04en_US
dc.relation.ispartoflocationSydney, Australiaen_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchMusic Performanceen_US
dc.subject.fieldofresearchcode190407en_US
dc.titleForeign Objects and the Art of Interpretationen_US
dc.typeConference outputen_US
dc.type.descriptionE1 - Conference Publications (HERDC)en_US
dc.type.codeE - Conference Publicationsen_US
gro.facultyArts, Education & Law Group, Queensland Conservatoriumen_US
gro.rights.copyrightCopyright remains with the author 2009. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the author.en_AU
gro.date.issued2009
gro.hasfulltextFull Text


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  • Conference outputs
    Contains papers delivered by Griffith authors at national and international conferences.

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