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dc.contributor.authorSchippers, Huiben_US
dc.contributor.editorBartleet & Ellisen_US
dc.date.accessioned2017-04-24T11:44:56Z
dc.date.available2017-04-24T11:44:56Z
dc.date.issued2009en_US
dc.date.modified2011-05-06T06:47:13Z
dc.identifier.isbn9781921513404en_US
dc.identifier.doihttps://www.australianacademicpress.com.au/books/details/138/Music_Autoethnographiesen_AU
dc.identifier.urihttp://hdl.handle.net/10072/30773
dc.description.abstractThirty years into a history of deep engagement with music and musicians from other cultures, I take a taxi ride out of Hanoi which triggers a series of experiences and a train of thought. The story of the unprompted decline of ca tru, a refined song form that kept unfortunate company in its recent past, strengthens my belief that the music does not necessarily flower or disappear for musical reasons, but that the environment and particularly underlying constructs (friendly or hostile) are decisive. I realise more profoundly than ever before how some of the factors in the ecology of musical diversity are beyond our control, while others can be made to work consciously and effectively for and against survival of specific forms of music. This crystallises my thinking and beliefs on working with communities across the world on their terms. It gives rise to the idea for a major project empowering these communities to access and share online both understanding and practical tools to ensure safeguarding the traditions they hold dear in a globalised, commoditised, and mediatised world, without necessarily having to resort to white ethnomusicologists like myself. The experience in Vietnam and memories of earlier ones across the world feed into an initiative that could become one of the demanding and rewarding initiatives in my life.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherAustralian Academic Pressen_US
dc.publisher.placeBrisbaneen_US
dc.publisher.urihttp://www.australianacademicpress.com.au/en_AU
dc.relation.ispartofbooktitleMusic Autoethnographiesen_US
dc.relation.ispartofchapter12en_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofpagefrom197en_US
dc.relation.ispartofpageto207en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchMusicology and Ethnomusicologyen_US
dc.subject.fieldofresearchcode190409en_US
dc.titleFrom ca tru to the world: Understanding and facilitating musical sustainabilityen_US
dc.typeBook chapteren_US
dc.type.descriptionB1 - Book Chapters (HERDC)en_US
dc.type.codeB - Book Chaptersen_US
gro.facultyArts, Education & Law Group, Queensland Conservatoriumen_US
gro.rights.copyrightSelf-archiving is not yet supported by this publisher. Please refer to the publisher website for access to the definitive, published version or contact the author for more information.en_AU
gro.date.issued2009
gro.hasfulltextNo Full Text


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