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dc.contributor.convenorRod Bennison and Jill Bough, Univ. of Newcastleen_AU
dc.contributor.authorWoodrow, Rossen_US
dc.contributor.editorRod Bennnison and Jill Boughen_US
dc.date.accessioned2017-04-24T11:39:45Z
dc.date.available2017-04-24T11:39:45Z
dc.date.issued2009en_US
dc.date.modified2010-07-09T03:06:00Z
dc.identifier.urihttp://hdl.handle.net/10072/31624
dc.description.abstractFrogs, Physiognomy and Aesthetics Ross Woodrow Griffith University, Brisbane, QLD, Australia Scholars investigating the relationship between human and nonhuman animals have recently taken a renewed interest in one of the most compellingly inventive images published in the early nineteenth century (Bindman 2002, pp. 209 - 11). This was Johann Caspar Lavater's (1741 - 1801) Stufenfolge Vom Frosch zum Dichter-Apoll, a series of drawings showing the successive stages of a morphological transformation of a frog head into the idealized profile of (the poet) Apollo (Sch槬 1999). . In this paper I will highlight the profound contemporary impact and the philosophical, iconographic and metaphorical origins of these line engravings, that first appeared in the fourth volume of the 1803 French edition of Lavater's Physiognomische Fragmente and the final volume of the English (Holcroft) edition Essays on Physiognomy of 1804. Almost all of the more than 150 subsequent nineteenth-century European editions of Lavater's Physiognomy contain the frog-to-Apollo engravings (Woodrow 2005, p. 90 n 21). My aim is to demonstrate that, because Lavater's idiosyncratic invention of a link between idealized humans and the 'most ignoble and bestial' of creatures was based on aesthetic judgment and the mytho-moral foundations of his physiognomic science, his approach has particular resonance and relevance in understanding the contemporary status of the frog. The frog has transcended its place in animated fable and fairy tale to become the locus of concern for the degradation of the natural world, creating an imperceptible, imaginary linkage between human and frog. References Bindman, D. 2002, Ape to Apollo, Reaktion, London. Sch槬, U. 1999, 'Vom Frosch zum Dichter-Apoll: morphologische entwicklungsreihen bei Lavater' in G Mraz & U Sch槬 (eds), Das Kunstkabinett des Johann Caspar Lavater, Vienna, pp 164 - 171. Woodrow, R. 2005 'Lavater and the Drawing Manual' in M Percival & g Tytler (eds), Physiognomy in Profile: Lavater's impact on European Culture, University of Delaware Press, Newark, pp. 71 - 93.en_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherUniversity of Newcastleen_US
dc.publisher.placeNewcastle, NSW, Australiaen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencenameThe 2009 International Academic and Community Conference on Animals and Society: Minding Animalsen_US
dc.relation.ispartofconferencetitleThe 2009 International Academic and Community Conference on Animals and Society: Minding Animalsen_US
dc.relation.ispartofdatefrom2009-07-12en_US
dc.relation.ispartofdateto2009-07-18en_US
dc.relation.ispartoflocationCivic Precinct, Newcastle, NSW, Aust.en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchFine Arts (incl. Sculpture and Painting)en_US
dc.subject.fieldofresearchcode190502en_US
dc.titleFrogs, Physiognomy and Aestheticsen_US
dc.typeConference outputen_US
dc.type.descriptionE3 - Conference Publications (Extract Paper)en_US
dc.type.codeE - Conference Publicationsen_US
gro.facultyArts, Education & Law Group, Queensland College of Arten_US
gro.date.issued2009
gro.hasfulltextNo Full Text


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