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dc.contributor.convenorLeonard Bell, University of Aucklanden_AU
dc.contributor.authorWoodrow, Rossen_US
dc.contributor.editorLeonard Bellen_US
dc.date.accessioned2017-05-03T14:22:38Z
dc.date.available2017-05-03T14:22:38Z
dc.date.issued2004en_US
dc.date.modified2010-07-29T08:16:38Z
dc.identifier.urihttp://hdl.handle.net/10072/32831
dc.description.abstractImported stereotypes and the image of the Australian Aborigine. In this paper I chart the image of Australian Aborigines in the popular illustrated press from 1850 to 1900. My objective is not a synoptic survey or descriptive chronicle since I aim to explore the relationship between first-hand observation and stereotypical representation in popular graphic discourse. In particular I highlight the neglected influence of American racial stereotypes on shaping the image of indigenous Australians. To demonstrate the mechanisms of transference, adaptation or transmogrification of these American image types to an Australian context I take examples from the graphic work of Australia's most prolific nineteenth-century image-maker, Montague Scott (1835 - 1909). Soon after the English-trained Scott arrived in Australia around 1856, after a brief stay in New Zealand, he photographically recorded his first-hand observation of individual Aborigines and produced the earliest surviving photograph of a corroboree. In the 1860s and 1870s he painted a number of significant works featuring Aboriginal people and themes but it is his prodigious graphic output in the popular press that offers a unique study archive. At different times during his fifty-year career Scott was chief cartoonist on Melbourne Punch, Sydney Punch, the Brisbane Boomerang and the Worker. Selecting images of Australian Aborigines from this chronologically unbroken database of almost 3000 images I will outline the constellation of forces that shaped an image of the Australian Aborigine that elided mimetic or representational likeness. At the pragmatic level I document the importation of American graphic stereotypes such as Jim Crow and the influence of popular black-face minstrel shows in Australia in the 1850s to 1870s on the construction of indigenous types. More broadly I demonstrate that the fundamental imperatives that drove the relentlessly reductive evolution of the popular image of the Australian Aborigine were part of the distinctively European ideological rhetoric associated with the physiognomic paradigm that dominates scientific and graphic representational systems in the nineteenth century.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherArt Association of Australia and New Zealanden_US
dc.publisher.placeAuckland, NZen_US
dc.relation.ispartofconferencenameAAANZ annual conference 2004en_US
dc.relation.ispartofconferencetitlePresent Pasts-Present Futuresen_US
dc.relation.ispartofdatefrom2004-12-01en_US
dc.relation.ispartofdateto2004-12-04en_US
dc.relation.ispartoflocationUniversity of Auckland, NZen_US
dc.subject.fieldofresearchcode410202en_US
dc.titleImported Stereotypes and the Image of the Australian Aborigineen_US
dc.typeConference outputen_US
dc.type.descriptionE1 - Conference Publications (HERDC)en_US
dc.type.codeE - Conference Publicationsen_US
gro.date.issued2004
gro.hasfulltextNo Full Text


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