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dc.contributor.convenorKirsty Beilharzen_AU
dc.contributor.authorHumphrey, Timen_US
dc.contributor.authorFlynn, Madeleineen_US
dc.contributor.authorStevens, Jesseen_US
dc.contributor.editorKirsty Beilharz, Andrew Johnston, Sam Ferguson, Amy Yi-Chun Chenen_US
dc.date.accessioned2017-04-24T13:06:46Z
dc.date.available2017-04-24T13:06:46Z
dc.date.issued2010en_US
dc.date.modified2010-12-10T06:52:20Z
dc.identifier.refuriwww.nime2010.orgen_AU
dc.identifier.urihttp://hdl.handle.net/10072/35322
dc.description.abstractThis paper articulates an interest in a kind of interactive musical instrument and artwork that defines the mechanisms for instrumental interactivity from the iconic morphologies of "ready-mades", casting historical utilitarian objects as the basis for performed musical experiences by spectators. The interactive repertoires are therefore partially pre-determined through enculturated behaviors that are associated with particular objects, but more importantly, inextricably linked to the thematic and meaningful assemblage of the work itself. Our new work epi-thet gathers data from individual interactions with common microscopes placed on platforms within a large space. This data is correlated with public domain genetic datasets obtained from micro-array analysis. A sonification algorithm generates unique compositions associated with the spectator "as measured" through their individual specification in performing an iconic measurement action. The apparatus is a receptacle for unique compositions in sound, and invites a participatory choreography of stillness that is available for reception as a live musical performance.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent1722858 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherNew Interfaces for Musical Expressionen_US
dc.publisher.placeSydney, Australiaen_US
dc.publisher.urihttp://www.educ.dab.uts.edu.au/nime/PROCEEDINGS/en_AU
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencenameNew Interfaces for Musical Expression++en_US
dc.relation.ispartofconferencetitleProceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010)en_US
dc.relation.ispartofdatefrom2010-06-15en_US
dc.relation.ispartofdateto2010-06-18en_US
dc.relation.ispartoflocationSydney, Australiaen_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titleEpi-thet: A Musical performance installation and a choreography of stillnessen_US
dc.typeConference outputen_US
dc.type.descriptionE1 - Conference Publications (HERDC)en_US
dc.type.codeE - Conference Publicationsen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciencesen_US
gro.rights.copyrightCopyright remains with the author 2010. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the author.en_AU
gro.date.issued2010
gro.hasfulltextFull Text


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    Contains papers delivered by Griffith authors at national and international conferences.

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