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dc.contributor.authorTomlinson, Vanessa
dc.date.accessioned2018-09-26T12:30:27Z
dc.date.available2018-09-26T12:30:27Z
dc.date.issued2017
dc.identifier.issn0749-4467
dc.identifier.doi10.1080/07494467.2017.1368177
dc.identifier.urihttp://hdl.handle.net/10072/356353
dc.description.abstractListening, improvisation, sound, and place are four words that are central to my attitude of being an artist, a musician, and a percussionist. This article spans 25 years of experiences told through 10 short stories: beginning to improvise, buying a tam-tam, learning Music for 18 Musicians, not defining percussion, found objects, the Condamine bell, performative roots, determined indeterminacy, nostalgia, and playing the tam-tam now. Together these stories begin to examine the lived experience of one Australian percussionist grappling with the unstable, dynamic pathways of percussion.
dc.description.peerreviewedYes
dc.description.sponsorshipGriffith University
dc.languageEnglish
dc.language.isoeng
dc.publisherTaylor & Francis
dc.relation.ispartofpagefrom5
dc.relation.ispartofpageto14
dc.relation.ispartofissue1-2
dc.relation.ispartofjournalContemporary Music Review
dc.relation.ispartofvolume36
dc.subject.fieldofresearchMusic Composition
dc.subject.fieldofresearchMusic Performance
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchcode190406
dc.subject.fieldofresearchcode190407
dc.subject.fieldofresearchcode1904
dc.titleOn Listening: A Universe of Sound
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
dc.description.versionAccepted Manuscript (AM)
gro.facultyArts, Education & Law Group, Queensland Conservatorium
gro.rights.copyright© 2017 Taylor & Francis (Routledge). This is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary Music Review on 14 Sep 2017, available online: https://doi.org/10.1080/07494467.2017.1368177
gro.hasfulltextFull Text
gro.griffith.authorTomlinson, Vanessa


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