Show simple item record

dc.contributor.authorGreen, Stephanieen_US
dc.contributor.editorDavid Baker; Stephanie Green; Agnieszka Stasiewicz-Bienkowskaen_US
dc.date.accessioned2018-10-12T01:33:49Z
dc.date.available2018-10-12T01:33:49Z
dc.date.issued2017en_US
dc.identifier.isbn9783319627823en_US
dc.identifier.doi10.1007/978-3-319-62782-3_6en_US
dc.identifier.urihttp://hdl.handle.net/10072/364489
dc.description.abstractThis chapter explores the ways in which vampires encapsulate the idea of the past by means of their ambiguous temporality. Prisoners of a past they can never escape, vampires are yet also able to transcend the tyranny of embodied decay. The vampire emerged as a figure of intimate predation in popular fiction during the mid- to late nineteenth-century, with Irish writer Sheridan Le Fanu’s novella Carmilla (1871), followed by compatriot Bram Stoker’s Dracula (1897). A key representational figure for exploring the ambiguities of power, in these texts the vampire features as both predator and prey. Later nineteenth-century vampire fiction contributed to a resurgence in the literary celebrations of Gothic excess that had been published at least a century earlier by Walpole, Edgeworth and Radcliffe. With their precursors, Le Fanu and Stoker convey a spectacle of European aristocracy in decline, while also evoking the idea of the past in inherently conflicted terms. The “history” of the vampire is presented in Carmilla and Dracula through multiple perspectives and interwoven chronological shifts, through which the recountability of human adventure—inflected with modern notions of reason and scientific investigation—comes face to face with the ravages of a living supernatural past. Both hosts and hostages of ancient familial legacy, immune to decay and capable of strange reproduction through intimate conquest, as Carmilla suggests, at least in fictional terms, only the vampire bloodline never dies.en_US
dc.description.peerreviewedYesen_US
dc.languageEnglishen_US
dc.publisherPalgrave Macmillanen_US
dc.publisher.placeSwitzerlanden_US
dc.relation.ispartofbooktitleHospitality, Rape and Consent in Vampire Popular Culture: Letting the Wrong One Inen_US
dc.relation.ispartofchapter6en_US
dc.relation.ispartofpagefrom89en_US
dc.relation.ispartofpageto106en_US
dc.subject.fieldofresearchStudies in Human Society not elsewhere classifieden_US
dc.subject.fieldofresearchcode169999en_US
dc.titleTime and the Vampire: The Idea of the Past in Carmilla and Draculaen_US
dc.typeBook chapteren_US
dc.type.descriptionB1 - Book Chapters (HERDC)en_US
dc.type.codeB - Book Chaptersen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Scienceen_US
gro.hasfulltextNo Full Text
gro.griffith.authorGreen, Stephanie R.


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

  • Book chapters
    Contains book chapters authored by Griffith authors.

Show simple item record