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dc.contributor.advisorWise, Patricia
dc.contributor.authorCoad, Cher Yen
dc.date.accessioned2019-03-26T01:57:54Z
dc.date.available2019-03-26T01:57:54Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10072/365803
dc.description.abstractThis thesis explores issues of writing, difference, time, the body and memory through an exegesis and two feature-film scripts: "The Bridge Between", a Chinese single-nation production, and "Swell", an Australian-Chinese international co-production. Through the inclusion of sections of autobiographical narrative interwoven with moments of reflection, analysis and speculation, the exegesis argues for an approach to the creative process of scriptwriting as a combination of theory, engagement with other art practices, and, perhaps most importantly, the life experiences of the writer. Co-production film-making has becoming an increasingly important driver of international feature-film production in recent years. International co-productions may be defined as production arrangements containing a sigificant presence of production elements from two or more national origins. These elements can include a mix of the finacial, technical and creative. Two major categories of international co-productions can be identified: private studio-to-studio single purpose contracts must be distinguished from co-production arrangements of the government-to-government kind. Government-to-government co-production arrangements give producers the option to apply to publicly accountable funding bodies of governments in two or more nations.en_US
dc.languageEnglishen_US
dc.publisherGriffith Universityen_US
dc.publisher.placeBrisbaneen_US
dc.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.en_US
dc.subject.keywordsCo-production film-makingen_US
dc.subject.keywordsFilm-making, Chinaen_US
dc.subject.keywordsThe Bridge Betweenen_US
dc.subject.keywordsSwellen_US
dc.subject.keywordsStudio-to-studio contractsen_US
dc.subject.keywordsGovernment-to-government contractsen_US
dc.titleThe Bridge Between and Swell: Writing Difference in Feature-Film Scriptwriting for National Production and International Co-Production: Exegesis: Experiences of Time, Body and Memory for Two scriptsen_US
dc.typeGriffith thesisen_US
gro.facultyArts, Education and Lawen_US
gro.hasfulltextFull Text
dc.contributor.otheradvisorStrachan, Charles
dc.contributor.otheradvisorMay, Anthony
gro.identifier.gurtIDgu1360281971142en_US
gro.source.ADTshelfnoADT0en_US
gro.source.GURTshelfnoGURTen_US
gro.thesis.degreelevelThesis (PhD Doctorate)en_US
gro.thesis.degreeprogramDoctor of Philosophy (PhD)en_US
gro.departmentSchool of Humanitiesen_US
gro.griffith.authorCoad, Cher Y.


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