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  • The Australian ‘Settler’ Colonial-Collective Problem

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    Jones,D_2017_01Thesis.pdf (2.484Mb)
    Author(s)
    Jones, David John
    Primary Supervisor
    Woodrow, Ross
    Other Supervisors
    Watson, Judith
    Craig, Russell
    Year published
    2017
    Metadata
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    Abstract
    This studio-based project identifies and interrogates the Australian denial of violent national foundation as a ‘settler’ problem, which is framed by the contemporary clinical and social concept of a ‘vicious cycle of anxiety’. The body of work I have produced aims to disrupt the denial of invasion and the erasure of Aboriginal culture through accepted narratives of European settlement of Australia. By aligning collective denial with anxiety, it presents a pathway for remediation through situational exposure; in this case, through works of art. The critical perspective on the invasion and colonisation of Australia is presented ...
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    This studio-based project identifies and interrogates the Australian denial of violent national foundation as a ‘settler’ problem, which is framed by the contemporary clinical and social concept of a ‘vicious cycle of anxiety’. The body of work I have produced aims to disrupt the denial of invasion and the erasure of Aboriginal culture through accepted narratives of European settlement of Australia. By aligning collective denial with anxiety, it presents a pathway for remediation through situational exposure; in this case, through works of art. The critical perspective on the invasion and colonisation of Australia is presented in the discursive and nondiscursive modes of communication of the coloniser not to arbitrate or appease but to amplify the content. The structure of the exegesis also draws from Aboriginal narrative methodology and integrates with, and is informed by, the studio production in printmaking using demanding traditional European graphic techniques such as etching and aquatint.
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    Thesis Type
    Thesis (Professional Doctorate)
    Degree Program
    Doctor of Visual Arts (DVA)
    School
    Queensland College of Art
    DOI
    https://doi.org/10.25904/1912/2241
    Copyright Statement
    The author owns the copyright in this thesis, unless stated otherwise.
    Item Access Status
    Public
    Note
    In order to comply with copyright two images have been removed.
    Subject
    Australian settlement
    Colonial Australia
    Invasion of Australia
    Aboriginal narrative methodology
    Print techniques
    Narrative art
    Publication URI
    http://hdl.handle.net/10072/365954
    Collection
    • Theses - Higher Degree by Research

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    Tagline

    • Gold Coast
    • Logan
    • Brisbane - Queensland, Australia
    First Peoples of Australia
    • Aboriginal
    • Torres Strait Islander