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dc.contributor.advisorRoennfeldt, Peter
dc.contributor.authorSavage, Stephen Leonen_US
dc.date.accessioned2018-01-23T02:25:43Z
dc.date.available2018-01-23T02:25:43Z
dc.date.issued2009en_US
dc.identifier.doi10.25904/1912/983
dc.identifier.urihttp://hdl.handle.net/10072/366061
dc.description.abstractThese writings offer a view of performance practice from the perspective of a musician with over forty years in the profession. Although instrumental teaching of piano at tertiary level in leading music schools in the UK and Australia has been a continuing activity, the papers will focus on issues arising from the author's consideration of his experience as a performing pianist and conductor. Part I, A Musician at Work in his Community, offers autoethnographic material relating to the author's early development, training, and subsequent career. Accounts of particular activities as pianist, conductor, and as instigator and director or curator of events are presented, together with assessments of their contribution to creating new knowledge through their content as research and their contemporary significance. Part 2, A Musician Considers his View, explores the closely woven network of knowledge, belief, attitudes and values which inform my work as a performer. Consideration of the nature of music and its communicable properties are followed by an assessment of the role of music in today's consumer society. Then follows an extensive investigation of the interdependent yet commonly discrete functions of composer, performer and listener which combine to bring musical expression to vibrant life.en_US
dc.languageEnglishen_US
dc.publisherGriffith Universityen_US
dc.publisher.placeBrisbaneen_US
dc.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.en_US
dc.subject.keywordscreative musical interpretationen_US
dc.subject.keywordsperformance practiceen_US
dc.subject.keywordsmusicianen_US
dc.subject.keywordspianisten_US
dc.subject.keywordsconductoren_US
dc.subject.keywordsmusicen_US
dc.titleBehind the Text, Beyond the Sound: Investigations into Processes of Creative Musical Interpretationen_US
dc.typeGriffith thesisen_US
gro.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.
gro.hasfulltextFull Text
dc.contributor.otheradvisorSchippers, Huib
dc.rights.accessRightsPublicen_US
gro.identifier.gurtIDgu1316567398491en_US
gro.identifier.ADTnumberadt-QGU20090902.111229en_US
gro.source.ADTshelfnoADT0688en_US
gro.source.GURTshelfnoGURTen_US
gro.thesis.degreelevelThesis (PhD Doctorate)en_US
gro.thesis.degreeprogramDoctor of Philosophy by Publication (PhD)en_US
gro.departmentQueensland Conservatoriumen_US
gro.griffith.authorSavage, Stephen


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