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dc.contributor.advisorDirie, Gerardo
dc.contributor.authorBarclay, Leah
dc.date.accessioned2018-01-23T02:29:29Z
dc.date.available2018-01-23T02:29:29Z
dc.date.issued2014
dc.identifier.doi10.25904/1912/2062
dc.identifier.urihttp://hdl.handle.net/10072/366418
dc.description.abstractThis thesis comprises of a body of creative work and an exegesis that articulates the intentions and findings from each project. The creative portfolio is specifically focused on the development and dissemination of original electroacoustic music compositions that draw on environmental field recordings from various parts of the world. The central research question of this thesis investigates the possibilities of electroacoustic music composition in contributing towards environmental awareness and engagement. This research adopts a practice-led methodology, resulting in 24 original creative works presented as the major component of this study. The research question was addressed from a personal perspective, through a detailed autoethnographic commentary on the development of each project. The research has been conducted in cultural immersion, ranging from the centre of the Amazon rainforest to exploring significant rivers in India, Korea, China, and Australia. The findings and observations from each project led to preliminary results that highlighted the value of creating electroacoustic music in community engagement and using multi-platform dissemination of the resulting experiences. These results gradually led to the development of the Sonic Ecologies framework, a production model that the author introduces in this dissertation that underpins the creative portfolio and articulates the practice-led outcomes
dc.languageEnglish
dc.publisherGriffith University
dc.publisher.placeBrisbane
dc.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.
dc.subject.keywordsElectroacoustic music composition
dc.subject.keywordsEnvironmental field recordings
dc.subject.keywordsEnvironmental awareness through music composition
dc.subject.keywordsSonic Ecologies framework India
dc.subject.keywordsSonic Ecologies framework China
dc.subject.keywordsSonic Ecologies framework Korea
dc.subject.keywordsSonic Ecologies framework Australia
dc.titleSonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion
dc.typeGriffith thesis
gro.facultyArts, Education and Law
gro.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.
gro.hasfulltextFull Text
dc.contributor.otheradvisorCunio, Kim
dc.rights.accessRightsPublic
gro.identifier.gurtIDgu1432698038752
gro.source.ADTshelfnoADT0
gro.source.GURTshelfnoGURT
gro.thesis.degreelevelThesis (PhD Doctorate)
gro.thesis.degreeprogramDoctor of Philosophy (PhD)
gro.departmentQueensland Conservatorium of Music
gro.griffith.authorBarclay, Leah


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