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  • Autofictographics: Exploring Truth and Identity in Autobiographical Comics

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    Fisher_2017_01Thesis.pdf (23.95Mb)
    Author(s)
    Fisher, Darren C.
    Primary Supervisor
    Spark, Andi
    Other Supervisors
    Moyes, Peter
    Year published
    2017
    Metadata
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    Abstract
    This exegesis documents my investigation into autobiographical sequential art narratives, surveying both the studio work of my doctoral candidature and key contextual research I undertook, and articulating the interrelations between theory and practice in this field. The prime contention of this research is that autobiography is inherently fictive, as it relies on fallible memory and fractured personas in order to convey narrative. Furthermore, the medium of sequential art as a vehicle for autobiographical narratives brings with it slippery interactions between image, word, and meaning, which are subject to variations ...
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    This exegesis documents my investigation into autobiographical sequential art narratives, surveying both the studio work of my doctoral candidature and key contextual research I undertook, and articulating the interrelations between theory and practice in this field. The prime contention of this research is that autobiography is inherently fictive, as it relies on fallible memory and fractured personas in order to convey narrative. Furthermore, the medium of sequential art as a vehicle for autobiographical narratives brings with it slippery interactions between image, word, and meaning, which are subject to variations of interpretation across different readers. Through my research, I have observed the indistinct lines that separate truth and fiction, both within genre and medium, while exploring methods of authorship that adhere to principles of an emotional rather than a literal truth. In this exegesis, I seek to define methods by which an author can put this ambiguity of ‘truth’ to constructive use through their informed manipulation of the sequential art medium, with the aim of actively and authentically communicating experiences of the past to readers. The exegesis moves between a third-person theoretical stance and a first-person point of view, reflecting the separation of self that is fundamental to autobiographical narrative. It is through this separation that the ‘I’ of today is able to reflect upon the ‘I’ of the past. This separation also serves as a function the doctoral exegesis itself, where personal work is examined within an academic context.
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    Thesis Type
    Thesis (Professional Doctorate)
    Degree Program
    Doctor of Visual Arts (DVA)
    School
    Queensland College of Art
    DOI
    https://doi.org/10.25904/1912/154
    Copyright Statement
    The author owns the copyright in this thesis, unless stated otherwise.
    Item Access Status
    Public
    Subject
    Autobiographical art narratives
    Autobiographical comics
    Sequential art
    Publication URI
    http://hdl.handle.net/10072/366969
    Collection
    • Theses - Higher Degree by Research

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