Correspondences: Creative Practice as a Disturbance in the Field of the Possible; an Examination of the Relationship Between the Fictive and the Real in the Creative Act

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Author(s)
Primary Supervisor
Porch, Debra
Woodrow, Ross
Other Supervisors
Snell, Ted
Year published
2010
Metadata
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Correspondences: Creative practice as a disturbance in the field of the possible, investigates the role of creative artistic practice in our engagement with the real. The creative and theoretical research in this project explores the role that Art plays as a truth procedure and offers a speculative account for the production of the new within a situation. The key questions addressed in this research project are how the creative arts change and mutate and the role they play in the generation of innovation. It offers a reconsideration of the practice of art making as an affirmative agent in the dynamic transformation of the ...
View more >Correspondences: Creative practice as a disturbance in the field of the possible, investigates the role of creative artistic practice in our engagement with the real. The creative and theoretical research in this project explores the role that Art plays as a truth procedure and offers a speculative account for the production of the new within a situation. The key questions addressed in this research project are how the creative arts change and mutate and the role they play in the generation of innovation. It offers a reconsideration of the practice of art making as an affirmative agent in the dynamic transformation of the sensible world.
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View more >Correspondences: Creative practice as a disturbance in the field of the possible, investigates the role of creative artistic practice in our engagement with the real. The creative and theoretical research in this project explores the role that Art plays as a truth procedure and offers a speculative account for the production of the new within a situation. The key questions addressed in this research project are how the creative arts change and mutate and the role they play in the generation of innovation. It offers a reconsideration of the practice of art making as an affirmative agent in the dynamic transformation of the sensible world.
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Thesis Type
Thesis (PhD Doctorate)
Degree Program
Doctor of Philosophy (PhD)
School
Queensland College of Art
Copyright Statement
The author owns the copyright in this thesis, unless stated otherwise.
Item Access Status
Public
Note
This thesis has been scanned.
Subject
Creative practice
Art as truth