Sounding the Horn: Examining the Live Performance Practices of Australian Classical Saxophonists

Abstract

Classical saxophone music (or CSM) is understood as Western art music, composed for the saxophone, which includes a variety of global influences and has developed since the invention of the instrument in the 1840’s. In Australia, a number of entrepreneurial musicians are specialising in this unique genre and showcasing new Australian music in a variety of live performance situations. Further to this, understanding exactly what knowledge and skills currently required by young classical musicians to build successful and sustainable careers is a strong industry focus. With the increasing need for entrepreneurial mindsets to be adopted and the acceptance of the portfolio career model as common practice for classical musicians, early career performing musicians need to develop a multi-dimensional approach to their future careers. Responding to these current realities, this thesis explores the live performance activities of Australia’s leading classical saxophonists and through four key areas: Logistical Considerations, Artistic Relationships, Digital Engagement, and Performer Satisfaction. In order to address these four areas, the thesis presents nine case studies of leading Australian classical saxophonists and saxophone ensembles; showing insights into how they navigate modern challenges in the industry. Drawing on research in a variety of fields including portfolio career models, the integration of technology into live performances, and the everyday management of live performance activities, the thesis presents the conclusions which are most pertinent to musicians actively striving to build a performance based career in the current industry.