The Embodied Artefact: A Nomadic Approach to Gendered Sites of Reverence through an Interdisciplinary Art Practice
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Author(s)
Primary Supervisor
Taylor, Anne
Other Supervisors
Fragar, Julie
Woodrow, Ross
Year published
2017
Metadata
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This doctoral project, “The Embodied Artefact: A Nomadic Approach to Gendered Sites of Reverence through an Interdisciplinary Art Practice”, moves beyond normative understandings of pilgrimage, God, and artistic scholarly research. Using a contemporary art lens, I travelled in a long durational performance to a multitude of international pilgrimage sites where God-as-Woman is, or has previously been, revered and respected. By moving towards and experiencing not just one destination but many, I have challenged the traditional paradigm of pilgrimage. In doing so, I have undergone a meta-experience whereby visitations to these ...
View more >This doctoral project, “The Embodied Artefact: A Nomadic Approach to Gendered Sites of Reverence through an Interdisciplinary Art Practice”, moves beyond normative understandings of pilgrimage, God, and artistic scholarly research. Using a contemporary art lens, I travelled in a long durational performance to a multitude of international pilgrimage sites where God-as-Woman is, or has previously been, revered and respected. By moving towards and experiencing not just one destination but many, I have challenged the traditional paradigm of pilgrimage. In doing so, I have undergone a meta-experience whereby visitations to these psycho-spiritual terrains came together as a composite of embodied experiences. This blurring of boundaries seeks to go beyond the particularities of one newly revised gendered site of reverence to consider a process of pilgrimage that moves into and becomes nomadism, thereby developing significant new understandings across the fields of contemporary art practice and pilgrimage studies.
View less >
View more >This doctoral project, “The Embodied Artefact: A Nomadic Approach to Gendered Sites of Reverence through an Interdisciplinary Art Practice”, moves beyond normative understandings of pilgrimage, God, and artistic scholarly research. Using a contemporary art lens, I travelled in a long durational performance to a multitude of international pilgrimage sites where God-as-Woman is, or has previously been, revered and respected. By moving towards and experiencing not just one destination but many, I have challenged the traditional paradigm of pilgrimage. In doing so, I have undergone a meta-experience whereby visitations to these psycho-spiritual terrains came together as a composite of embodied experiences. This blurring of boundaries seeks to go beyond the particularities of one newly revised gendered site of reverence to consider a process of pilgrimage that moves into and becomes nomadism, thereby developing significant new understandings across the fields of contemporary art practice and pilgrimage studies.
View less >
Thesis Type
Thesis (PhD Doctorate)
Degree Program
Doctor of Philosophy (PhD)
School
Queensland College of Art.
Copyright Statement
The author owns the copyright in this thesis, unless stated otherwise.
Note
In order to comply with copyright some images have been removed.
Subject
Pilgrimage sites
Artefacts
Nomadism