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  • Internal+/-External Terrains: A Meditation On the Productive Skein of Electracy

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    Author(s)
    Maybury, Terrence
    Primary Supervisor
    Harries, Dan
    Other Supervisors
    Meadows, Michael
    Williamson, Dugald
    O’Regan, Tom
    Year published
    2002
    Metadata
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    Abstract
    Internal+/-External Terrains is a meditation on the nature of electronic creativity, primarily from a production point of view. It seeks to arbitrate and synthesise a range of skills, attributes and ideas that might constitute the field of electronic aesthetics. It does this from the perspective of electronic artists, and the socio/economic/cultural system they increasingly serve. The aesthetics of electronic production, as looked at through the framework of electracy, serves as a model through which to locate some specific shifts in both self-making, and capitalism, in both their Post-Fordist, and globalising manifestations. ...
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    Internal+/-External Terrains is a meditation on the nature of electronic creativity, primarily from a production point of view. It seeks to arbitrate and synthesise a range of skills, attributes and ideas that might constitute the field of electronic aesthetics. It does this from the perspective of electronic artists, and the socio/economic/cultural system they increasingly serve. The aesthetics of electronic production, as looked at through the framework of electracy, serves as a model through which to locate some specific shifts in both self-making, and capitalism, in both their Post-Fordist, and globalising manifestations. Internal+/-External Terrains is a meditation on the re-conceptualisation going on in electronic meaning-making, as it is currently happening at the interfaces of the psyche, the politico-cultural domain, and in the techno-aesthetic apparatus of its production. Through the compilation of a possible program in electracy (of its various aesthetic components as used in production), along with a brief outline of the electronic artist, Internal+/-External Terrains situates both, as role-model and epicentre, of an increasingly accepted mode of abstraction: Radial-Logic©. And it is this omnidirectional form of abstraction currently lighting the cyber-cohering logic of an already arrived future.
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    Thesis Type
    Thesis (Masters)
    Degree Program
    Master of Philosophy (MPhil)
    School
    School of Film, Media and Cultural Studies
    DOI
    https://doi.org/10.25904/1912/2213
    Copyright Statement
    The author owns the copyright in this thesis, unless stated otherwise.
    Subject
    Electracy
    Electronic literacy
    Electronic production
    Globalisation
    Global capitalism
    Discourse analysis
    Publication URI
    http://hdl.handle.net/10072/368113
    Collection
    • Theses - Higher Degree by Research

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