Children composing: Creating communities of musical practice
Author(s)
Burnard, Pamela
Boyack, Jenny
Howell, Gillian
Griffith University Author(s)
Year published
2017
Metadata
Show full item recordAbstract
Music composition has traditionally been regarded as a sophisticated skill or ability that requires many years of formal academic training, possibly beginning in a secondary school context and continuing into conservatoires or academies of higher learning. However, there is evidence of sophisticated levels of compositional skill in children aged 5 to 12 years and of qualitatively different ways of approaching composition tasks. For example, Joanna Glover (2000) in her seminal book Children Composing 4–14 suggests that children view musical creativity as the product of values, risks and courage, rather than as a technical ...
View more >Music composition has traditionally been regarded as a sophisticated skill or ability that requires many years of formal academic training, possibly beginning in a secondary school context and continuing into conservatoires or academies of higher learning. However, there is evidence of sophisticated levels of compositional skill in children aged 5 to 12 years and of qualitatively different ways of approaching composition tasks. For example, Joanna Glover (2000) in her seminal book Children Composing 4–14 suggests that children view musical creativity as the product of values, risks and courage, rather than as a technical endeavour. Teachers conducting research from within the learning environment emphasise the importance of providing time and freedom for children to compose.
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View more >Music composition has traditionally been regarded as a sophisticated skill or ability that requires many years of formal academic training, possibly beginning in a secondary school context and continuing into conservatoires or academies of higher learning. However, there is evidence of sophisticated levels of compositional skill in children aged 5 to 12 years and of qualitatively different ways of approaching composition tasks. For example, Joanna Glover (2000) in her seminal book Children Composing 4–14 suggests that children view musical creativity as the product of values, risks and courage, rather than as a technical endeavour. Teachers conducting research from within the learning environment emphasise the importance of providing time and freedom for children to compose.
View less >
Book Title
Teaching Music Creatively
Publisher URI
Subject
Creative and professional writing not elsewhere classified