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dc.contributor.convenorJondi Keane, Martin E Rosenbergen_AU
dc.contributor.authorHumphrey, Timen_US
dc.date.accessioned2017-04-24T13:06:46Z
dc.date.available2017-04-24T13:06:46Z
dc.date.issued2010en_US
dc.date.modified2011-03-21T07:22:00Z
dc.identifier.urihttp://hdl.handle.net/10072/37447
dc.description.abstractMany artistic works with sound often reach to extremes of dislocation and disembodiment. The sense of temporal disclosure that is intrinsic to musical composition is lost in frozen fields of looping sound sources to which the body must become similarly frozen, tethered, and inert, and denied the permissions for acclamation or other spectatorial response that even the impoverished rituals of recital performance are able to provide. To re-connect the body in motion to sound works is to create a "landing site", a visceral and material form that invites a journey through pathways of sonic disclosure. With personal sound devices, sound and music form an arbitrary accompaniment to literal urban journeys as a high-intensity and disjunct fl⮥rie that often leaks its content, adding a high-frequency filigree to the ambient noises, of public transport of all kinds. An alternative is to consider the manipulation of plastic forms as an articulated surround sound instrument, assemblages of new and found materials that have a material and acoustic presence. The audience as the player of musical instruments. This paper considers the contemporary appropriation and dislocation of sonic artefacts and the body architectures that can help to make their new and temporary locations living places. The ghostly and interminable images of recorded sound are replaced in many recent works through an interactivity that allows artistic process to be held in the hand and carried by the spectator. When sonic artefacts threaten to disappear into vast tracts of memory and remote clouds, the scale of carriage by hand can shape meaningful articulations of the torrent.en_US
dc.description.publicationstatusYesen_AU
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherGriffith Universityen_US
dc.publisher.placeQueensland, Australiaen_US
dc.publisher.urihttp://ag3.griffith.edu.au/en_AU
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencenameAG3: The Third International Arakawa and Gins: Architecture and Philosophy Conferenceen_US
dc.relation.ispartofconferencetitleAG3: The Third International Arakawa and Gins: Architecture and Philosophy Conferenceen_US
dc.relation.ispartofdatefrom2010-03-12en_US
dc.relation.ispartofdateto2010-07-26en_US
dc.relation.ispartoflocationOnlineen_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titleTravel Noises: the displacement of bodies and remote landing sites in some recent sound worksen_US
dc.typeConference outputen_US
dc.type.descriptionE2 - Conference Publications (Non HERDC Eligible)en_US
dc.type.codeE - Conference Publicationsen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciencesen_US
gro.date.issued2010
gro.hasfulltextNo Full Text


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    Contains papers delivered by Griffith authors at national and international conferences.

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