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dc.contributor.authorJohnston, Iain G.
dc.contributor.authorGoldhahn, Joakim
dc.contributor.authorMay, Sally K.
dc.contributor.editorDavid, Bruno
dc.contributor.editorTacon, Paul S. C.
dc.contributor.editorDelannoy, Jean-Jacques
dc.contributor.editorGeneste, Jean-Michel
dc.date.accessioned2018-10-23T12:31:05Z
dc.date.available2018-10-23T12:31:05Z
dc.date.issued2017
dc.identifier.isbn9781760461614
dc.identifier.doi10.22459/TA47.11.2017.06
dc.identifier.urihttp://hdl.handle.net/10072/375319
dc.description.abstractThis chapter highlights the concept of ‘style’ within rock art research in relation to Dynamic Figure rock art found in western Arnhem Land, Australia (Figure 6.1). Our aim is to reassess George Chaloupka’s four-phase chronology for this art style. The data for this revision are 155 Dynamic Figure paintings, documented through our ongoing fieldwork in Mirarr Country as part of the Mirarr Gunwarddebim (Rock Art) Project.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherANU Press
dc.publisher.placeAustralia
dc.publisher.urihttp://dx.doi.org/10.22459/TA47.11.2017
dc.relation.ispartofbooktitleThe Archaeology of Rock Art in Western Arnhem Land, Australia
dc.relation.ispartofchapter6
dc.relation.ispartofpagefrom109
dc.relation.ispartofpageto128
dc.subject.fieldofresearchArchaeology not elsewhere classified
dc.subject.fieldofresearchcode210199
dc.titleDynamic Figures of Mirarr Country: Chaloupka's four-phase theory and the question of variability within a rock art style
dc.typeBook chapter
dc.type.descriptionB1 - Chapters
dc.type.codeB - Book Chapters
gro.hasfulltextNo Full Text
gro.griffith.authorMay, Sally K. K.
gro.griffith.authorGoldhahn, Joakim


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