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  • Aesthetic Experience, Transitional Objects and the Third Space: The Fusion of Audience and Aesthetic Objects in the Performing Arts

    Author(s)
    Woodward, I
    Ellison, D
    Griffith University Author(s)
    Ellison, David A.
    Woodward, Ian S.
    Year published
    2010
    Metadata
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    Abstract
    Aesthetic experience has been relativized and marginalized by recent social and cultural theory. As less attention has been paid to understanding the nature of aesthetic experience than mapping the distributed social correlates of tastes, its transformative potential and capacity to animate actors' imaginations and actions goes unexplored. In this paper we draw upon a large number of in-depth interviews with performing arts audiences around Australia to investigate the language and discourse used to describe aesthetic experiences. In particular, we begin with theorizations of the subject-object nexus within object-relations ...
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    Aesthetic experience has been relativized and marginalized by recent social and cultural theory. As less attention has been paid to understanding the nature of aesthetic experience than mapping the distributed social correlates of tastes, its transformative potential and capacity to animate actors' imaginations and actions goes unexplored. In this paper we draw upon a large number of in-depth interviews with performing arts audiences around Australia to investigate the language and discourse used to describe aesthetic experiences. In particular, we begin with theorizations of the subject-object nexus within object-relations theory to consider the transformative potential of aesthetic experience. Using these literatures, and extending them to others within sociology of the arts and materiality, our focus is on the way aesthetic experience can fuse human subjects with aesthetic objects. We examine how viewers take an aesthetic object into themselves and in turn project themselves into the aesthetic object by various visual and imaginative techniques. Our theoretical and empirical analysis bears out the constructive and productive capacity of aesthetic experience.
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    Journal Title
    Thesis Eleven
    Volume
    103
    Issue
    1
    DOI
    https://doi.org/10.1177/0725513610381374
    Subject
    Performing Arts and Creative Writing not elsewhere classified
    Studies in Human Society
    Language, Communication and Culture
    Philosophy and Religious Studies
    Publication URI
    http://hdl.handle.net/10072/37589
    Collection
    • Journal articles

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