Show simple item record

dc.contributor.authorCrawley, Karen
dc.contributor.authorSimic, Olivera
dc.date.accessioned2019-05-29T12:33:26Z
dc.date.available2019-05-29T12:33:26Z
dc.date.issued2019
dc.identifier.issn1741-6590
dc.identifier.doi10.1177/1741659018771117
dc.identifier.urihttp://hdl.handle.net/10072/375952
dc.description.abstractThe last few years have witnessed increasing discussion of sexual violence in the mainstream media and public debate in North America and elsewhere, especially with the most recent wave of sexual assault and harassment allegations in entertainment, media and public institutions, called the #MeToo campaign. Despite the view that men must be engaged in this conversation in order to be effective at preventing violence and changing deep-seated patriarchal attitudes, the place of male voices in this ongoing conversation is hotly in question. This article analyzes an unusual and controversial project by Thordis Elva and Tom Stranger, who, 20 years after Stranger raped Elva, produced a TED talk (2016) watched by over 3 million people, and a jointly written book, South of Forgiveness (Elva and Stranger, 2017), detailing their story of forgiveness and redemption. The first part of this article situates this unprecedented victim-rapist enterprise within the history of feminist anti-rape politics and men’s involvement in that politics, arguing that this project both instantiates, and critiques, an appeal to the ‘good man’. The second part analyzes the book South of Forgiveness as a survivor story that is more complex than the highly reductive format of a TED talk allows, and shows how its uneasy fit within the putative frameworks of ‘restorative’ or informal justice (as Elva and others claim it to be) is a function of the unacknowledged dimension to the performance in the form of revenge. The third part of the article turns to Elva’s and Stranger’s public performances that began with the TED talk and book tour, which we attended, to show how this function of revenge played out theatrically and implicates the spectator as bystander and witness. We conclude by reflecting upon the implications of listening to male perpetrators speak against sexual violence against women and our responsibility towards these questions as feminist legal academics.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherSage Publications
dc.publisher.placeUnited Kingdom
dc.relation.ispartofpagefrom1
dc.relation.ispartofpageto20
dc.relation.ispartofjournalCrime Media Culture
dc.subject.fieldofresearchCommunication and media studies
dc.subject.fieldofresearchCriminology
dc.subject.fieldofresearchHuman society
dc.subject.fieldofresearchLanguage, communication and culture
dc.subject.fieldofresearchcode4701
dc.subject.fieldofresearchcode4402
dc.subject.fieldofresearchcode44
dc.subject.fieldofresearchcode47
dc.titleTelling stories of rape, revenge and redemption in the age of the TED talk
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
dc.description.versionAccepted Manuscript (AM)
gro.facultyArts, Education & Law Group, School of Law
gro.description.notepublicThis publication has been entered into Griffith Research Online as an Advanced Online Version.
gro.hasfulltextNo Full Text
gro.griffith.authorSimic, Olivera
gro.griffith.authorCrawley, Karen


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

  • Journal articles
    Contains articles published by Griffith authors in scholarly journals.

Show simple item record