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dc.contributor.advisorWoodrow, Ross
dc.contributor.advisorPlatz, William
dc.contributor.authorO'Dempsey, Kellie
dc.date.accessioned2019-03-01T01:51:47Z
dc.date.available2019-03-01T01:51:47Z
dc.date.issued2017-10
dc.identifier.doi10.25904/1912/1392
dc.identifier.urihttp://hdl.handle.net/10072/382693
dc.description.abstractThis thesis formulates a taxonomic framework for performance drawing in order to explore the potential, processes, scope, and position of the practice. Performance drawing is examined using a practice-led methodology through execution, reflection on, and analysis of, performance events, exhibitions, video, and documentation. The core elements of the act of drawing, the role of the spectator or witness, the experiential or phenomenological dimension, and exchange are identified and analysed to establish the defining characteristics of performance drawing and to highlight its potential to enhance human consciousness. Performance drawing is posited as an interdisciplinary practice that favours the sociability and temporality of performance over the singularity and solitude of the artist and viewer that has been conceptualised in traditional drawing practice.
dc.languageEnglish
dc.language.isoen
dc.publisherGriffith University
dc.publisher.placeBrisbane
dc.subject.keywordsTaxonomy
dc.subject.keywordsPerformance drawing
dc.titleToward a Taxonomy of Performance Drawing
dc.typeGriffith thesis
gro.facultyArts, Education and Law
gro.rights.copyrightThe author owns the copyright in this thesis, unless stated otherwise.
gro.hasfulltextFull Text
gro.thesis.degreelevelThesis (PhD Doctorate)
gro.thesis.degreeprogramDoctor of Philosophy (PhD)
gro.departmentQueensland College of Art
gro.griffith.authorO'Dempsey, Kellie A.


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