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dc.contributor.authorNg, Nicholasen_US
dc.contributor.editorAmy Chan and Alistair Nelsonen_US
dc.date.accessioned2017-04-24T13:13:31Z
dc.date.available2017-04-24T13:13:31Z
dc.date.issued2009en_US
dc.date.modified2014-01-31T03:48:36Z
dc.identifier.isbn9781921536540en_US
dc.identifier.doihttp://epress.anu.edu.au/?p=367en_US
dc.identifier.urihttp://hdl.handle.net/10072/38306
dc.description.abstractIn present-day Sydney, Chinese music may be heard in the form of various traditions and genres, each representative and an integral part of its respective (sub-)community. This discussion concerns my fieldwork experiences to date with members of the Australian Chinese Catholic Community. I will outline issues of transformation versus preservation in musical transmission, innovation versus conservatism, and generational change within the context of a transnational diasporic 'Chinese' identity.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_US
dc.languageEnglishen_US
dc.language.isoen_US
dc.publisherANU E Pressen_US
dc.publisher.placeAustraliaen_US
dc.publisher.urihttp://press.anu.edu.au/titles/sounds_translation_citation/en_US
dc.relation.ispartofbooktitleSounds in Translation: intersections of music, technology and societyen_US
dc.relation.ispartofchapter7en_US
dc.relation.ispartofstudentpublicationNen_US
dc.relation.ispartofpagefrom111en_US
dc.relation.ispartofpageto144en_US
dc.rights.retentionYen_US
dc.subject.fieldofresearchMusicology and Ethnomusicologyen_US
dc.subject.fieldofresearchcode190409en_US
dc.titleDomesticating the foreign: singing salvation through translation in the Australian Catholic Chinese Communityen_US
dc.typeBook chapteren_US
dc.type.descriptionB1 - Book Chapters (HERDC)en_US
dc.type.codeB - Book Chaptersen_US
gro.facultyArts, Education & Law Group, Queensland Conservatoriumen_US
gro.date.issued2009
gro.hasfulltextNo Full Text


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