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dc.contributor.authorMcKay, Belindaen_US
dc.contributor.editorCarole Ferrier and Deborah Jordanen_US
dc.date.accessioned2017-04-24T08:27:37Z
dc.date.available2017-04-24T08:27:37Z
dc.date.issued2009en_US
dc.date.modified2014-02-06T22:39:41Z
dc.identifier.isbn978095468854en_US
dc.identifier.doihttp://www.austlit.edu.au/austlit/page/C737522en_US
dc.identifier.urihttp://hdl.handle.net/10072/38311
dc.description.abstractThis paper examines some of the ways in which white women novelists contributed powerfully to shaping the literary imaginative landscape through which Australian readers came to 'know' Indigenous people, and the nature of inter-racial contact, in the period before the publication of writing by Indigenous women began to disrupt the textual landscape. The shaping of the imaginative landscape of the contact zone is a profoundly colonial project: through writing white women transcend their otherwise marginal political status to become, as Georgi-Findlay puts it, 'authors and agents of territorial expansion, positioned ambiguously within systems of power and authority'. A preoccupation with the intersections of race and gender is particularly pronounced in writing by white women who grew up in Queensland, where, in the late nineteenth and early twentieth centuries, a burgeoning of new publishing opportunities for women coincided with a relatively late and harshly oppressive colonial frontier. These factors, along with the exceptionally decentralised nature of the state, meant that well into the twentieth century Queensland women writers were more likely than those from other states to grow up in rural areas and experience frontier conditions, either first hand or through the personal accounts of parents and grandparents. Until Kath Walker (later Oodgeroo Noonuccal) published her first volume of poetry, We are Going, in 1964, white women's depictions of Indigenous women and inter-racial interactions remained undisturbed by Indigenous women's own representation of colonial processes. Literature, then, is a domain in which white women's agency as colonisers is both palpable and susceptible to analysis.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_US
dc.languageEnglishen_US
dc.language.isoen_US
dc.publisherHecate Pressen_US
dc.publisher.placeSt Luciaen_US
dc.publisher.urihttp://www.austlit.edu.au/austlit/page/A38359?mainTabTemplate=agentWorksByen_US
dc.relation.ispartofbooktitleHibiscus and Ti-Tree: Women in Queenslanden_US
dc.relation.ispartofchapter3en_US
dc.relation.ispartofstudentpublicationNen_US
dc.relation.ispartofpagefrom30en_US
dc.relation.ispartofpageto45en_US
dc.rights.retentionYen_US
dc.subject.fieldofresearchAustralian Literature (excl. Aboriginal and Torres Strait Islander Literature)en_US
dc.subject.fieldofresearchcode200502en_US
dc.titleWriting from the Contact Zone: Fiction by Early Queensland Womenen_US
dc.typeBook chapteren_US
dc.type.descriptionB1 - Book Chapters (HERDC)en_US
dc.type.codeB - Book Chaptersen_US
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciencesen_US
gro.date.issued2009
gro.hasfulltextNo Full Text


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