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dc.contributor.authorPonomareva, Irina A
dc.contributor.authorTacon, Paul SC
dc.date.accessioned2019-06-09T01:34:11Z
dc.date.available2019-06-09T01:34:11Z
dc.date.issued2019
dc.identifier.issn0262-5253
dc.identifier.doi10.1111/ojoa.12154
dc.identifier.urihttp://hdl.handle.net/10072/383531
dc.description.abstractThis paper focuses on a stylistic analysis of depictions of elk in Siberian rock art in the Neolithic and Bronze Ages. The aim of this paper is to go beyond the cultural and chronological attributions of rock art and to try to understand why and through what processes changes in rock‐art style occurred. In order to answer these questions, the phenomena of ethnicity and ethno‐cultural identity are explored. Rock art is not considered as a passive reflection of past ethno‐cultural groups but rather as an active agent in structuring social identities.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherWILEY
dc.relation.ispartofpagefrom18
dc.relation.ispartofpageto38
dc.relation.ispartofissue1
dc.relation.ispartofjournalOXFORD JOURNAL OF ARCHAEOLOGY
dc.relation.ispartofvolume38
dc.subject.fieldofresearchArchaeology of Asia, Africa and the Americas
dc.subject.fieldofresearchArchaeology not elsewhere classified
dc.subject.fieldofresearchcode430102
dc.subject.fieldofresearchcode430199
dc.titleThe Angara Rock Art Style and the Emergence of Ethno-Cultural Identity
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.hasfulltextNo Full Text
gro.griffith.authorTacon, Paul S.


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