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dc.contributor.authorMcKenzie, Jordi
dc.contributor.authorRossiter, Craig
dc.contributor.editorMurschetz, Paul Clemens
dc.contributor.editorTeichmann, Roland
dc.contributor.editorKarmasin, Matthias
dc.date.accessioned2019-06-10T01:33:48Z
dc.date.available2019-06-10T01:33:48Z
dc.date.issued2018
dc.identifier.isbn9783319717166
dc.identifier.doi10.1007/978-3-319-71716-6_14
dc.identifier.urihttp://hdl.handle.net/10072/384156
dc.description.abstractThis chapter details and analyses public film funding in Australia. It begins with a detailed historic overview of funding arrangements and the eventual role of public money in this industry. Particular attention is given to the tax incentives offered under the 10BA scheme (where tax deductions as large as 150% were offered, alongside a 50% haven on royalties), the ‘two-door approach’ funding provisions under the Film Finance Corporation (FFC) , and the more recent ‘Producer Offset’ scheme operated under Screen Australia . The second primary contribution of this chapter is an empirical investigation building on the analysis of McKenzie and Walls (Journal of Cultural Economics, 37(2), 247–269). A ‘hedonic box office revenue model’ is developed assessing the impact of FFC and Screen Australia funding on the box office revenue performance of Australian films in Australian cinemas over the years 1997–2015.
dc.description.peerreviewedYes
dc.publisherSpringer
dc.publisher.placeSwitzerland
dc.relation.ispartofbooktitleHandbook of State Aid for Film Finance, Industries and Regulation
dc.relation.ispartofchapter14
dc.relation.ispartofpagefrom227
dc.relation.ispartofpageto249
dc.subject.fieldofresearchCommerce, management, tourism and services
dc.subject.fieldofresearchcode35
dc.titleFilm Funding in Australia: Recent History and Empirical Analysis
dc.typeBook chapter
dc.type.descriptionB1 - Chapters
dc.type.codeB - Book Chapters
gro.hasfulltextNo Full Text
gro.griffith.authorRossiter, Craig


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