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dc.contributor.authorIstvandity, Lauren
dc.contributor.authorBaker, Sarah
dc.contributor.authorCollins, Jez
dc.contributor.authorDriessen, Simone
dc.contributor.authorStrong, Catherine
dc.contributor.editorDolley, Joanne
dc.contributor.editorBosman, Caryl
dc.date.accessioned2019-11-03T22:58:34Z
dc.date.available2019-11-03T22:58:34Z
dc.date.issued2019
dc.identifier.isbn9781786433916
dc.identifier.doi10.4337/9781786433916.00015
dc.identifier.urihttp://hdl.handle.net/10072/388860
dc.description.abstractWhile the traditional model for third places as devised by Oldenburg refers mainly to the neutral social conditions of meeting places outside work and home, such as cafes and bars, transformations in twenty-first century society pave the way for new ways of thinking about third place. In this chapter, the authors suggest a range of outlets connected with popular music heritage practices could be considered incarnations of third place. Case studies drawing on empirical data from individual research projects in the area of popular music heritage are presented, comprising do-it-yourself archiving, digital archives, walking tours, and pop music reunion tours. In doing this, the authors demonstrate the alignment of these activities with the majority of central third place tenets, suggesting the wider impact of both music heritage practices and the increasing currency of third place in current times.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherEdward Elgar
dc.publisher.placeUnited Kingdom
dc.relation.ispartofbooktitleRethinking Third Places: Informal Public Spaces and Community Building
dc.relation.ispartofchapter7
dc.relation.ispartofpagefrom116
dc.relation.ispartofpageto135
dc.relation.urihttp://purl.org/au-research/grants/ARC/DP1092910
dc.relation.urihttp://purl.org/au-research/grants/ARC/DP130100317
dc.relation.grantIDDP1092910
dc.relation.grantIDDP130100317
dc.relation.fundersARC
dc.subject.fieldofresearchStudies in Creative Arts and Writing
dc.subject.fieldofresearchcode19
dc.subject.keywordsheritage
dc.subject.keywordspopular music
dc.subject.keywordsthird place
dc.titleUnderstanding popular music heritage practice through the lens of Third Place
dc.typeBook chapter
dc.type.descriptionB1 - Chapters
dcterms.bibliographicCitationBaker, S; Istvandity, L; Strong, C; Collins, J; Driessen, S, Understanding popular music heritage practice through the lens of Third Place. In Rethinking Third Places: Informal Public Spaces and Community Building, 2019, pp. 116–135.
dc.date.updated2019-11-01T07:49:08Z
gro.hasfulltextNo Full Text
gro.griffith.authorBaker, Sarah L.


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