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dc.contributor.authorCrittenden, Roger
dc.date.accessioned2019-12-12T06:02:40Z
dc.date.available2019-12-12T06:02:40Z
dc.date.issued2018
dc.identifier.issn2042-8855
dc.identifier.doi10.3366/sound.2018.0128
dc.identifier.urihttp://hdl.handle.net/10072/389750
dc.description.abstractIn his book of essays, Consciousness and the Novel, David Lodge devoted a section to the limitations of film.
dc.languageEnglish
dc.language.isoeng
dc.publisherEdinburgh University Press
dc.relation.ispartofpagefrom161
dc.relation.ispartofpageto168
dc.relation.ispartofissue2
dc.relation.ispartofjournalThe New Soundtrack
dc.relation.ispartofvolume8
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchcode1904
dc.subject.keywordsArts & Humanities
dc.subject.keywordsFilm, Radio & Television
dc.titleSome Notes on the Use of Voice-Over
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dcterms.bibliographicCitationCrittenden, R, Some Notes on the Use of Voice-Over, The New Soundtrack, 2018, 8 (2), pp. 161-168
dc.date.updated2019-12-12T05:58:36Z
gro.hasfulltextNo Full Text
gro.griffith.authorCrittenden, Roger


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