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dc.contributor.authorHassall, Linda
dc.date.accessioned2020-02-20T02:54:52Z
dc.date.available2020-02-20T02:54:52Z
dc.date.issued2019
dc.identifier.issn2049-3010
dc.identifier.doi10.1386/atr_00015_1
dc.identifier.urihttp://hdl.handle.net/10072/391708
dc.description.abstractThe politics of distance in Australia has shaped our history and informed the psychological landscape of Australian cultural identity since settlement and colonization. Distance is a subjective space for Australians, and as a result the national subjectivity can cause significant problems for immigrants, asylum seekers, refugees and exiles from 'other' homelands who experience a disjunction of place and culture, and seek sanctuary. Drawing on current post-colonial Australian anxieties, this research investigates Australian concepts of distance alongside what has become a politically contested Australian racial and cultural agenda. Analysing these issues through the lens of Australian Gothic drama, the article also integrates examples from Hassall's performance research, Salvation (2013), to support the discussion.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherIntellect
dc.publisher.placeUnited Kingdom
dc.relation.ispartofpagefrom185
dc.relation.ispartofpageto195
dc.relation.ispartofissue2
dc.relation.ispartofjournalApplied Theatre Research
dc.relation.ispartofvolume7
dc.subject.fieldofresearchSpecialist studies in education
dc.subject.fieldofresearchCreative and professional writing
dc.subject.fieldofresearchCultural studies
dc.subject.fieldofresearchcode3904
dc.subject.fieldofresearchcode3602
dc.subject.fieldofresearchcode4702
dc.titlePerformance and the politics of distance: Exploring the psychology of identity and culture in politicized Australian performance landscapes
dc.typeJournal article
dc.type.descriptionC1 - Articles
dcterms.bibliographicCitationHassall, L, Performance and the politics of distance: Exploring the psychology of identity and culture in politicized Australian performance landscapes, Applied Theatre Research, 2019, 7 (2), pp. 185-195
dc.date.updated2020-02-20T02:04:33Z
dc.description.versionVersion of Record (VoR)
gro.rights.copyright© 2019 Applied Theatre Research Journal. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.hasfulltextFull Text
gro.griffith.authorHassall, Linda M.


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