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dc.contributor.authorSee, Pamela
dc.date.accessioned2020-03-22T22:02:30Z
dc.date.available2020-03-22T22:02:30Z
dc.date.issued2020
dc.identifier.urihttp://hdl.handle.net/10072/392511
dc.description.abstractI grew up as a first-generation Australian surrounded by remnants from the lives of my parents in South-East Asia. Amongst the most intriguing were pre-Kodachrome black and white portraits of relatives and intricate needlework. Subsequently, upon entering Labirinto I was greeted by a sense of familiarity. I haven’t had the privilege of meeting the internationally acclaimed artist and academic from Brazil. However, it was as though the holes in the lace provided an entry-point for my own memories. During February and March 2020, Artisan staged the fifth exhibition of this body of artwork by Christus Nobrega. It was comprised of photographs digitally reproduced from his family album onto linen banners. The siblings depicted were forced into the care of relatives and religious institutions due to circumstances extenuating from the death of his grandfather. His grandmother survived by making labirinto, a type of lace.
dc.publisherWorld Crafts Council – Australia
dc.publisher.urihttps://garlandmag.com/loop/labirinto/
dc.relation.ispartofjournalGarland Magazine
dc.subject.fieldofresearchVisual Arts and Crafts
dc.subject.fieldofresearchcode1905
dc.titleA post-digital threat out of the labyrinth: Christus Nobrega review
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dcterms.bibliographicCitationSee, P, A post-digital threat out of the labyrinth: Christus Nobrega review, Garland Magazine, 2020
dc.date.updated2020-03-19T01:32:51Z
dc.description.versionVersion of Record (VoR)
gro.rights.copyright© 2020 The Authors. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
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gro.griffith.authorSee, Pamela M.


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